Exhibit Resource List

The Great Big Museum Exhibit Resource List

The idea for this list started with Kathy Krafft as part of a conference presentation she gave several years ago. Shortly after, I offered to host the initial collection of sources on my website. Over time, the list expanded with my input and that of the late David Taylor, and was included in the "Handbook for Small Science Centers" book. Now, the Great Big Exhibit Resource List has become a way to keep track of "trusted sources" for museum exhibit designers, developers and fabricators, and is freely shared with colleagues. The GBER List continues to expand with input from museum "makers" from around the world. If you have additions, corrections, or comments, please send them to: paul@orselli.net and help this resource grow!

LOCAL SOURCES

1. Visit your local stores, and set up accounts; you may get contractor’s rates.

Check out plumbing and electrical and hardware and lumber and paint supply stores. Sometimes places like plumbing supply stores will let you behind the counters to look in their bins. Most stores are very supportive of local non-profit organizations, and enjoy the challenges of helping you when you are doing weird things in building exhibits.

2. Find out when it is quiet to get extra suggestions—not first thing in the morning when contractors are getting the parts they need for the day.

3. Never categorize or stereotype your stores—in exhibit fabrication you may well find what you need at strange, unexpected places. So visit, and see what is in stock at auto supply places (12 volt fans for your hand-powered generator, for instance) floor covering, fabric stores, office supply places, etc.

THE BIG THREE NATIONAL SOURCES

(If you don’t have these catalogs, get them! These suppliers have local branches throughout the country. Check the phone book or the website to locate your nearest outlet. Note: Addresses and telephone numbers often change! Use websites to confirm contact information.)

McMaster-Carr: www.mcmaster.com 3500 pages of hardware, plumbing (including clear PVC pipe and fittings), electrical, materials (metal, plastics, etc. delivered the next day usually. AMAZING collection.

Grainger: www.grainger.com

MSC: www.mscdirect.com

 

ASSISTIVE DEVICES

Enabling Devices: www.enablingdevices.com
385 Warburton Avenue
Hastings-on-Hudson, NY 10706
(800) 832-8697

Flaghouse: www.flaghouse.com
601 FlagHouse Drive
Hasbrouck Heights, NJ 07604
(800) 793-7900

Maxi-Aids: www.maxiaids.com
42 Executive Blvd.
Farmingdale, NY 11735
(800) 522-6294

Patterson Medical: www.sammonspreston.com
4 Sammons Court
Bolingbrook, IL 60440
(630) 226-1300

Special Needs Toys: www.specialneedstoys.com/usa/
4537 Gibsonia Road
Gibsonia, PA15044
(800) 467-6222

 

BOOK BINDING

Perma-Bound: www.perma-bound.com
617 E.Vandalia Road,
Jacksonville, Illinois 62650
(800) 637-6581

San Val Incorporated: www.sanval.com
895 Frisco Street
Steelville, MO 65565
(800) 325-4465

 

CHEMICALS AND LAB EQUIPMENT

Cole-Palmer: www.coleparmer.com
625 East Bunker Court
Vernon Hills, Illinois 60061
(800) 323-4340

Fisher: www.fisherscientific.com
Liberty Lane
Hampton, NH 03842
(603) 926-5911

Flinn Scientific: www.flinnsci.com
P.O. Box 219
Batavia, IL 60510
(800) 452-1261

Sargent-Welch: www.sargentwelch.com
P.O. Box 5229
Buffalo Grove, IL 60089
(800) 727-4368

Sigma-Aldrich: Unusual chemicals.

 

DIGITAL AUDIO AND VIDEO PLAYBACK DEVICES

BrightSign: Digital signage solutions
12980 Saratoga Ave., Ste. D
Saratoga, CA 95070
(408) 852-9263

Eletech Electronics: www.eletech.com
16025 Kaplan Avenue
City of Industry, CA 91744
(626)333-6394

Stop & Listen: www.stoplisten.com
7515 Flint Road S.E.
Calgary, Alberta CANADA T2H 1G3
(800) 387-2365

Technovision - Custom sensors and controllers. www.technovision.com
933 Canada Ct.
City of Industry, CA 91748
(626) 839-1488

 

DIGITAL IMAGES AND PRINTING

Beyond Digital Print: www.beyonddigitalprint.com
6401 E. Rogers Circle
Boca Raton, FL
(561) 922-5250

Corbis: www.Corbis.com

Display Creatives: Pop-Up Displays and printing. www.displaycreatives.com
888-760-1612

Fotosearch Stock Photography: www.fotosearch.com
21155 Watertown Road
Waukesha, WI 53186
(262) 717-0740 (800)827-3920
(Also check out the sister site, www.gograph.com)

Getty Images: www.Gettyimages.com

MegaPrint: Large format print specialists www.megaprint.com
800-590-7850

MorgueFile: www.morguefile.com Free images for your use in your creative work.

MVP Visuals: www.mvpvisuals.com
Suppliers of high-impact visuals and custom branded displays.

The Public Domain Project: www.pond5.com free Completely free public domain images and videos

Stella Color: www.stellacolor.com Sustainable Printing Solutions

Stockphoto.com: www.istockphoto.com

Shutterstock: www.shutterstock.com

Walsworth Printing and Publishing: www.walsworth.com
Printers of custom books and periodicals.

 

EDUCATIONAL AND CLASSROOM SUPPLIERS

(Visit your local schools- they have lots of catalogs!)

Acorn Naturalists: www.acornnaturalists.com
Good source of animal footprints and casts, plus lots of other biology and botany stuff.

Childcraft: www.childcrafteducation.com
P.O. Box 3239
Lancaster, PA 17604
(800) 631-5652

Creative Health Products: www.chponline.com Weight scales, other health products.
5148 Saddle Ridge Road
Plymouth, MI 48170
(800) 742-4478

Discount School Supply www.discountschoolsupply.com

Educational Innovations: www.teachersource.com
362 Main Avenue
Norwalk, CT 06851
(203) 229-0730

Edmund Scientific: www.scientificsonline.com Magnets, polarizing sheet, all kinds of science stuff.

Edmund Industrial Optics: www.edmundoptics.com lenses, optical parts.

ETA/Cuisenaire: www.etacuisenaire.com Math manipulatives, posters.
500 Greenview Court
Vernon Hills, IL 60061
(800) 875-9643

Haba: www.habausa.com

Health Edco: www.healthedco.com

Lakeshore: www.lakeshorelearning.com Early childhood materials.

Skulls Unlimited: www.skullsunlimited.com All things bone related.
10313 South Sunnylane
Oklahoma City, OK 73160
(800) 659-7585 (SKULL)

Woodworks Ltd: www.craftparts.com
4521 Anderson Blvd.
Fort Worth, TX 76117
(817) 581-5230

 

ELECTRONICS

Adafruit Industries: www.adafruit.com
80 Nassau Street, #4C
New York, NY 10038
(646) 248-7882

Allied: www.alliedelec.com
7410 Pebble Drive
Fort Worth, Texas 76118

Anatek: www.anatekcorp.com Video and TV related electronics.
P.O. Box 1200
100 Merrimack Road
Amherst, NH 03031
(603)673-4342

BG Micro: www.bgmicro.com
3024 Lincoln Ct
Garland, Texas 75041
(800) 276-2206

Digi-key: www.digikey.com
River Falls, MN 56

Happ Controls: www.happcontrols.com Pushbuttons, pinball accessories, etc.
106 Garlisch Drive
Elk Grove, IL 60007
(888) BUY-HAPP

Hosfelt Electronics: www.hosfelt.com
2700 Sunset Blvd.
Steubenville, OH 43952
(888) 264-6464

Jameco: www.jameco.com
1355 Shoreway Road
Belmont, CA 94002
(800) 831-4242

MakerSHED: www.makershed.com DIY Kits + Tools + Books + Fun from the MAKE Magazine folks

Markertek: www.markertek.com Cameras, cables, tools, audio equipment.
Great source for video production equipment and unusual stuff.
812 Kings Highway PO Box 397
Saugerties, New York 12477
(800) 522-2025

Mouser: www.mouser.com
1000 North Main Street
Mansfield, Texas 76063
(800) 346-6873

Newark: www.newark.com
4801 N. Ravenswood
Chicago, IL 60640-4496
(773) 784-5100

Radio Shack: www.radioshack.com

Ramsey Electronics: www.ramseyelectronics.com
Good source of electronics kits that can be turned into exhibits.
590 Fishers Station Dr.
Victor, NY 14564
(800) 446-2295

Solid State Advanced Controls: www.ssac.com
Sometimes the only source for hard-to find electronic timers and other modules that do switching, current measuring, etc. generally for 120VAC circuits.

SparkFun Electronics: www.sparkfun.com
6175 Longbow Drive
Suite 200
Boulder, CO 80301
(303) 284-0979

String Pots: www.stringpot.com
String Potentiometers = Potentiometer + Spring-Loaded Pulley.

Supercircuits: www.supercircuits.com Video and security equipment.
One Supercircuits Plaza
Liberty Hill, Texas 78642

Tapeswitch: www.tapeswitch.com
100 Schmitt Boulevard
Farmingdale, NY 11735
(631) 630-0442

 

EXHIBIT RENDERING TOOLS

SketchUp: www.sketchup.com Excellent free rendering program.

 

EXTRUSIONS

80/20 Inc: www.8020.net "The Industrial Erector Set"
1701 South 400 East
Columbia City, IN 46725
(260) 248-8030

FlexPVC: www.flexpvc.com Amazing array of PVC shapes and fittings.
1-888-PVC-FLEX

MayTec: www.maytecinc.com
901 Wesemann Drive
West Dundee, IL 60118
(847) 429-0321

MicroRAX: www.microrax.com Miniature extruded aluminum t-slot framing
Twintec, Inc.
1510 Boundary Blvd., Suite 100
Auburn, WA 98001
(800) 979-9645

Octanorm: www.octanormusa.com
701 Interstate West Parkway
Lithia Springs, GA 30122
(800) 995-2995

Parker’s Industrial Profile Systems: http://bit.ly/e8RBYm
6035 Parkland Blvd.
Cleveland, OH 44124
(216) 896-3000

 

FAKE FOODS

Fake-Foods.com: www.fake-foods.com
204 North El Camino Real, #432
Encinitas, CA 92024

Hubert: www.hubert.com Display supplies.

Incredible Inedibles: www.incredibleinedibles.net

Iwasaki Images: www.iwasaki-images.com
630 Maple Ave.
Torrance, CA 90503
(800) 323-9921

Forbex: www.forbex.com Fake grass.

(Childcraft also sells inexpensive collections of fake foods.)

 

FIBERGLASS AND MOLDMAKING

Aircraft Spruce & Specialty: www.aircraft-spruce.com
Fiberglass supplies, Kevlar, aviation instruments, the entire world of aviation fasteners.
1-877-4-SPRUCE

Fiberglass Coatings: www.fgci.com (in St. Petersburg, FL) A great source for
fiberglassing supplies, casting resins, and knowledge.

3201 28th Street N.
St. Petersburg, FL 33713
(727) 327-8117

Fibre Glast: www.fibreglast.com
95 Mosier Pkwy Brookville, OH 45309
800-330-6368

Polytek: www.polytek.com Rubber moldmaking supplies, casting materials.

 

FLOORING

Gerbert Limited: www.gerbertltd.com Recycled flooring materials.

715 Fountain Ave.
P.O. Box 4944
Lancaster, PA 17604-4944
(800) 828-9461

Lees Carpets: www.leescarpets.com Many sustainable flooring choices. NeoFloor is especially good for children’s areas.

500 TownPark Lane
Suite #400
Kennesaw, GA 30144
(800) 523-5647

Pirelli Flooring: www.artigo.com Interesting flooring products.

 

FRAMING AND MOUNTING MATERIALS

Get Smart Products: www.pfile.com
Super cheap frames!

IKEA: www.ikea.com
It’s hard to find more attractive and inexpensive frames than those from IKEA.

Light Impressions: www.lightimpressionsdirect.com
P.O. Box 787
Brea, CA 92822
(800) 828-6216

Pictureframes.com: www.pictureframes.com
2103 Brentwood Street
High Point, NC 27263
(800) 332-8884

 

FURNITURE

ATD-AMERICAN: www.atd.com
135 Greenwood Ave.
Wyncote, PA 19095
(215) 576-1000

Community Playthings: www.communityplaythings.com
PO Box 2
Ulster Park NY 12487
(800) 777-4244

DEMCO: www.demco.com
P.O. Box 7488
Madison, WI 53707
(800) 962-4463

Gaylord Library Supplies: www.gaylord.com
Kid-sized furniture.
(800) 448-6160

Mockett: www.mockett.com
Hardware, pulls, wire grommets.

Smith System: www.smithsystem.com
PO Box 860415
Plano, Texas 75086
(800) 328-1061

Worthington Direct: www.worthingtondirect.com
6301 Gaston Ave., Suite 670
Dallas, TX 75214
(800) 599-6636

 

GEARS, CLUTCHES, SHAFTS

Atlanta Belting: www.atlbelt.com Conveyor belt-- smooth, textured.

Boston Gear: www.bostongear.com
14 Hayward Street
Quincy, MA 02171
(888) 999-9860

Emerson/Morse/Browning: www.emerson-ept.com
WM Berg: www.wmberg.com
499 Ocean Avenue
East Rockaway, NY 11518
(800)232-BERG

 

GLOW-IN-THE-DARK STUFF

ABET Laminati: www.abetlaminati.com Lumiphos laminate material.

Educational Innovations: www.teachersource.com Check out their glow-in-the-dark pigments.
362 Main Avenue
Norwalk, CT 06851
(203) 229-0730

Flinn Scientific: www.flinnsci.com Small sheets and paint.
P.O. Box 219
Batavia, IL 60510
(800) 452-1261

Glow Inc: www.glowinc.com

Hanovia: www.hanovia-uv.com
6 Evans Street
Fairfield, NJ 07083
(973) 651-5510

Jessup Manufacturing: www.globritesystem.com
2815 West Route 120
McHenry, IL 60051
(815) 385-6650

Shannon Luminous Materials: www.blacklite.com
304 A North Townsend
Santa Ana, CA 92703
(800) 543-4485

 

GRAVITY WELLS

Divnik International: www.SpiralWishingWells.com
321 Alexandersville Road
Miamisburg, Ohio 45342
(937) 384-0003

 

GREEN EXHIBITS MATERIALS

Build it Green: www.builditgreen.org

Environmental Home Store: www.environmentalhomestore.com
The Environmental Home Store
550 Carpenter Lane at Greene Street
Philadelphia, PA 19119
(215) 844-GREEN

Green Exhibits: www.greenexhibits.org

Center for Neighborhood Technology, Green building resources:
www.building.cnt.org

Yemm & Hart: www.yemmhart.com Recycled building materials.
1417 Madison
Marquand, MO 63655
(573) 783-5434

 

HARDWARE AND TOOLS

Ballew Saw and Tool: www.ballewsawandtool.com Sharpens saw blades, sells blades and bits.
325 S. Kimbrough
Springfield, MO 65806
(800) 288-7483

Carbide.com: www.carbide.com Router bits, etc.

Cherry Tree: www.cherrytree-online.com Wood balls, parts.
408 S Jefferson Street
Belmont, OH 43718
(800) 848-4363

Citimarine: www.citimarinestore.com Marine accessories and hardware.
3300 NW 112th Ave, #4
Doral, FL 33172
(800) 766-5256

Enco Tools: www.use-enco.com Tools, general selection & large tools.

Fastenal: www.fastenal.com Industrial and construction supplies.
2001 Theurer Blvd.
Winona, Minnesota 55987
(507) 454-5374

FastCap: www.fastcap.com Check out "speed tape".

Grizzly: www.grizzly.com Large and small tools, bits, supplies, wood samples.

Hafele: www.hafele.com
Huge assortment of hardware for furniture making.

Harbor Freight: www.harborfreight.com
Inexpensive tools ,variable quality on some brands.

JC Whitney: www.jcwhitney.com Automotive supplies.

Klingspor: www.klingspor.com
Woodworking: sandpaper in bulk (belts, drums, disks, sheets.)

Lee Valley: www.leevalley.com Woodworking tools, also cheap source for small neodymium magnets.
P.O. Box 1780
Ogdensburg, NY 13669
(800) 871-8158

Lehman’s: www.lehmans.com Old time tools, blacksmithing supplies.
One Lehman Circle
P.O. Box 321
Kidron, OH 44636
(888) 438-5346

Marv-O-Lus Manufacturing: www.marvolus.com
220 North Washtenaw Avenue
Chicago, IL 60612-2014
(888) 840-4311

Northern Tools: www.NorthernTool.com
2800 Southcross Drive West
Burnsville, Minnesota 55306
(800) 221-0516

Roberts Plywood: www.roberts-plywood.com Curved plywood, large wooden tubes.

Southco: www.southco.com Latches, cabinet hardware.

Tool Parts Direct: www.toolpartsdirect.com Parts for tools- with diagrams for identifying the part!
6620 F Street
Omaha, NE 68117
(866) 597-3850

West Marine: www.westmarine.com Marine supplies.

Woodcraft: www.woodcraft.com Tools and supplies.
(800) 535-4482

Woodworker's Supply: www.woodworker.com

 

LIGHTING AND LIGHTS

Bulbs.com: www.bulbs.com
40 Jackson Street
Worcester, MA 01608
(888) 455-2800

Bulbman: www.bulbman.com

Interlight: www.interlight.biz
7939 New Jersey Avenue
Hammond, IN 46323
(800) 743-0005

Topbulb: www.topbulb.com
5204 Indianapolis Boulevard
East Chicago, IN 46312
(866) TOP-BULB

UV SYSTEMS: www.uvsystems.com A great source for UV lighting and components.
16605 127th Avenue SE
Renton, WA 98058-5549
(425)228-9988

 

MAGNETS

Adams Magnetic: www.adamsmagnetic.com

Kling Magnetics: www.kling.com Magnetic Paint.
343 Rt. 295 - PO Box 348
Chatham, NY 12037
(518) 392-4000

Force Field: www.wondermagnet.com
2606 West Vine Dr.
Fort Collins, CO 80521
(877) 944-6247

 

METALS

McNichols: www.mcnichols.com Perforated sheet metal, steel grating.
5505 West Gray Street
Tampa, FL 33609-1007
(813) 282-3828 x 2100

Murphy-Nolan: www.murphynolan.com

OnlineMetals.com: www.onlinemetals.com Stocks and sells a variety of metals; including small orders
1138 W. Ewing Street
Seattle, WA 98119
(800) 704-2157

 

MISCELLANEOUS

Archie McPhee / Accoutrements: www.mcphee.com Wacky products!
2428 NW Market Street
Seattle, WA 98107
(206) 297-0240

Bry-Tech Distributors: www.bry-tech.com Upholstery Materials & Supplies
1143 Haines Street
Jacksonville, FL 32206
(800) 329-7283

Company Folders, Inc. www.companyfolders.com Folders and Presentation Materials
3297 Orchard Lake Rd, Suite 203
Keego Harbor, Michigan 48320
(248) 738-7600

Displays 2 Go: www.displays2go.com Small sign holders, stands, displays.
55 Broad Common Road
Bristol, RI 02809
(800) 572-2194

Engineered Etchings: www.engineeredetchings.com Etched granite and marble plaques and displays
Cookeville, Tennessee 38506
(931) 267-1542

Ecospheres: www.eco-sphere.com Self-contained ecosystem spheres.
4421 N. Romero Rd
Tucson, Arizona 85705
(800) 729-9870

Fake Earth: www.polypavement.com

Freund Cans: www.freundcontainer.com Containers of all sorts.
11535 S. Central Avenue
Alsip, IL 60803
(800)363-9822

Hobby Express: www.hobbyexpress.com

Hobby People: www.hobbypeople.net Small motors, controllers for models.

JML Direct Optics: www.jmloptical.com Parabolic mirrors.
76 Fernwood Ave.
Rochester, NY 14621
(585) 342-8900

Just Plastic Boxes: www.justplasticboxes.com Plastic boxes of all types.
2535 Bing Miller Lane
Urbana, IA 52345
800-736-0651

Library of Congress: American Environmental Photographs
www.memory.loc.gov

LED Light Stick Art: www.subliminaryartworks.com
Bill Bell
139 Davis Ave
Brookline MA 02445
(617) 277-4719
billbell@subliminaryartworks.com

M. Jacobs & Sons www.mjacobandsons.com All sorts of bottles and jars.
31700 Middlebelt Rd., Suite 165
Farmington Hills, MI 48334
(248) 737-9440

Oriental Trading Company: www.orientaltrading.com Cheap multiples. Craft and party items.

PilotVials.com www.Pilotvials.com Clear and amber glass vials, plastic jars for all your packaging needs.
2965 Valley Vista Drive
Sedona, AZ 86351
(928) 254-0533

Radiant Manufacturing www.radiantmfg.com Giant Sequins and "flutter discs" for Air Cannon exhibits.
(877) 787-8880

Rhode Island Novelty: www.rinovelty.com
19 Industrial Lane
Johnston, RI 02919
(800) 528-5599

Sand & Solutions: www.waupacasand.com
Rubber mulch. (For clean “sandboxes” and playgrounds.)
(715) 258-8566

Scent Machines: www.scentair.com

Stella Color: www.stellacolor.com Images on carpet; interesting mural wallpaper.

Strapworks: www.strapworks.com
All kinds of webbing, strapping ropes, etc.
3170 Elmira Rd.
Eugene, OR 97402
(541) 741-0658

Toysmith: www.toysmith.com

Ultrasonic Mistmakers: www.mainlandmart.com
MainlandMart.com
2535 Durfee Ave.
El Monte, CA 91732
(626) 258-2928

 

PLASTICS

AIN Plastics: www.ainplastics.com

Curbell Plastic: www.curbell.com
7 Cobham Drive
Orchard Park, NY 14127
(716) 667-3377

Outwater Plastics: www.outwater.com
Weird architectural stuff, tee molding in all sizes and shapes and colors, etc.
4 Passaic Street, Wood-Ridge, N.J. 07075
1-888-OUTWATER (688-9283)

shopPOPdisplays: www.shopPOPdisplays.com
Speciality acrylic boxes (including 5-sided boxes) and POP display materials.
1-888-342-2513

United States Plastic: www.usplastic.com
Lots of plumbing parts, tubing.
1390 Neubrecht Rd.
Lima, Ohio 45801-3196
1-800-809-4217

 

SAFETY RESOURCES AND MATERIALS

MSDS on line: www.msdssearch.com

Arts, Crafts & Theater Safety: www.artscraftstheatersafety.org

 

SCIENCE MATERIALS SUPPLIERS

Acorn Naturalists: www.acornnaturalists.com
Good source of animal footprints and casts, plus lots of other biology and botany stuff.

American 3B Scientific: www.a3bs.com
2189 Flintstone Drive, Unit O
Tucker, GA 30084
(770) 492-9111

Arbor Scientific: www.arborsci.com
PO Box 2750
Ann Arbor, MI 48106
(800) 367-6695

Ben Meadows: www.benmeadows.com Forestry/Outdoors supplies, surveying equipment
P.O. Box 5277
Janesville WI USA 53547
(800) 241-6401

C&A Scientific: www.cnascientific.com
7241 Gabe Court
Manassas, VA 20109
(703) 330-1413

Carolina Biological: www.carolina.com Microscope slides, fruit flies and
other critters, lots more.

Copernicus Toys: www.copernicustoys.com
1012 C Druid Ave
Charlottesville VA 22902
(800) 424-3950

Kelvin Scientific: www.kelvin.com
280 Adams Blvd.
Farmingdale, NY 11735
(800) 535-8469

NASCO: www.enasco.com A site for multiple supply catalogs.

PASCO: www.pasco.com Excellent physics supplies and materials.
10101 Foothills Blvd.
Roseville, CA 95747
(800) 772-8700

Pitsco: www.pitsco.com Kits, meters, etc.
915 E. Jefferson
P.O. Box 1708
Pittsburg, KS 66762
(800) 835-0686

Science Kit & Boreal Laboratories: www.sciencekit.com

SEIDAM: www.seidam.com
Kelvin Building
University of Glasgow
University Avenue
Glasgow, SCOTLAND
G12 8QQ
+44 (0)141 330 2047

Steve Spangler Science: www.stevespanglerscience.com
4400 South Federal Blvd
Englewood, CO 80110
(800) 223-9080

Ward’s Natural Science: www.wardsci.com
PO Box 92912
Rochester, NY 14692
(800) 962-2660

 

SCROLLING IMAGE SIGNS AND LIGHTBOXES

Bowman Displays: www.bowmandisplays.com
648 Progress Avenue
Munster, IN 46321
(800) 922-9250

Dick Blick: www.dickblick.com
P.O. Box 1267
Galesburg, IL 61402
(800) 828-4548

Warwick Products Company: www.warwickproducts.com Store fixtures, displays.

 

SURPLUS SUPPLIERS

American Science and Surplus: www.sciplus.com Weird collection of small parts.
P.O. Box 1030
Skokie, IL 60076
(847) 647-0011

Herbach and Rademan (H&R): www.herbach.com Cheap motors, blowers, power supplies etc.
353 Crider Avenue
Moorestown, NJ 08057
(800) 848-8001

Retail Closeout Mall: www.retailcloseoutmall.com
11632 Frankstown Road #310
Pittsburgh, PA 15235
(412)734-5849

Surplus Shed: www.surplusshed.com
1050 Maidencreek Road
Fleetwood, PA 19522
(877) 7-SURPLUS

 

THEATRICAL SUPPLIES/FABRICS

Ahh.biz: www.ahh.biz Specialized Textile Outfitters.
American Home & Habitat
Route 4, Box 86
Squires, MO 65755
(417) 683-1838

Dazian Fabrics: www.dazian.com Theatrical and Outdoor Fabrics

Fred Krieger Fabrics: www.fredkriegerfabrics.com
420 Jericho Turnpike
Jericho, NY 11753
(800) 892-8142
Pro Sound & Stage Lighting: www.pssl.com Audio, video, party lights.
11070 Valley View Street
Cypress, CA. 90630
1-800-268-5520

Rosco: www.rosco.com Specialized lighting fixtures and gels (colored mylar sheets), hardware.

Rose Brand: www.rosebrand.com Theatrical Supplies

Sam Ash: www.samash.com Musical Instruments, Sound equipment.
(800) 4-SAMASH

Seattle Fabrics: www.seattlefabrics.com Theatrical and Outdoor Fabrics
Seattle, WA. 98103
(206) 525-0670

Sew What?: www.sewwhatinc.com Custom-sewn theatrical drapes and fabrics
1978 Gladwick Street
Rancho Dominguez, CA 90220
(310) 639-6000

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  • Pass The Flamingo: An Interview with Andrew Coletti



    Andrew Coletti is an educator, writer and history / fantasy / food nerd who holds degrees in Classics and Museum Education. He is a full-time educator for the non-profit Salvadori Center. You can also find him teaching about ancient food (and sharing some) at the Brooklyn BraineryCaveat and other venues around New York City. His food writing has appeared in Eaten magazine and Atlas Obscura and his fantasy novella The Knife’s Daughter is now available from Pink Narcissus Press.  

    Andrew was kind enough to answer some questions about his work and background in this interview for ExhibiTricks readers.


    What’s your educational background?
    I have a BA in Classics from Bard College and a Masters in Museum Education from Bank Street College of Education.


    What got you interested in Museums?
    During college, I got a summer job as an intern in the Education Department of the MFA in Boston. I had never really heard of museum education as a field, so I’m not sure how I found the job posting or what made me decide to apply, but I’m glad I did! That summer I got to develop teacher resources to supplement school programs, and I fell in love with museums and education from there.


    What prompted you to start your “Pass the Flamingo” blog?
    I’ve always loved the ancient world and over time, I realized that food was a great way of bringing ancient history to life for people. I had been giving lecture-based classes for adults on ancient history at the Brooklyn Brainery for a while when I decided to incorporate some food, using a cookbook of reconstructions I had sitting on my bookshelf but had never really used. I made Mesopotamian beer for people to sample at my Mesopotamia class and later hosted a Roman dinner party at home using recipes from the same book. 

    I had been steadily gaining an interest in cooking around the same time, so I was really excited to have found a way to combine my interests. Soon I was giving classes at the Brainery specifically on ancient food, with a menu of samples. The blog developed out of those classes. Since then, I’ve gotten to present about ancient food at museums and educational venues outside the Brainery and publish my food writing outside of my blog.


    Tell us a little bit about how your background informs your work?
    One of my college professors used to joke that majoring in Classics is like majoring in everything. You get a little bit each of history, language, art history, philosophy, etc. and you learn to be a good writer, which is a skill you can apply anywhere. I try to take some of that well-roundedness that I was encouraged to cultivate in college into the work I do.

    Because I didn’t study education until grad school, my approach to teaching and curriculum development is very influenced by Bank Street’s philosophy. I’m big into hands-on experiential learning with multiple sensory levels, and that has informed my approach to ancient history as well, such as the food blog and classes.


    What are some of your favorite online (or offline!) resources for people interested in finding out more about the latest thinking on ancient history?

     
     All Mesopotamia (Find them at Facebook or allmesopotamia.wordpress.com): They post really cool and informative articles that take a deeper dive into Mesopotamian culture and history.

     Eidolon (eidolon.pub): Fun modern Classics scholarship, often slightly tongue-in-cheek or with a pop cultural bent

     Colleen Darnell (@vintage_egyptologist on Instagram): A professor of Egyptology at Yale who also happens to be obsessed with vintage fashion. She posts interesting snippets of Ancient Egyptian history and literature with images of herself in fabulous 1920s garb.


    What advice would you have for fellow cultural workers and educators, especially those from smaller institutions, in bringing an appreciation of ancient history into their work?
    Be flexible and embrace new interpretations of old material, and don’t be afraid to introduce a historical parallel or connection where it might not be expected. You’d be surprised the number of connections you can make between ancient and modern people’s lives, especially when you look at common human experiences (like food, love/sex, and death). 

    When I teach my ancient food classes, the most important thing I want people to take away from the experience is that ancient people really weren’t that different from us. If you can believe that, it’s easier to see how it can be relevant to your own life, which is the biggest hurdle people have to overcome to get interested in or excited about the ancient world: what does it have to do with me?


    What do you think is the “next frontier” for museums?
    I feel like I am seeing museums increasingly reinvent themselves and restructure their way of presenting their collections, although some institutions are ahead of others in this regard. I think it will need to happen to a greater extent for museums to stay relevant and inspire new generations of people to care about their collections.


    What are some of your favorite museums or exhibitions?
    I recently got to visit the Museum of Childhood in London. It’s a really fun and different take on a children’s museum, with displays that trace the evolution of children’s toys and games over the centuries.

    In the US, I love the Mesopotamian galleries at the Morgan Library & Museum and the Penn Museum museum in Philadelphia. NYU’s Institute for the Study of the Ancient World on the Upper East Side often has cool temporary exhibitions.


    Can you talk a little about your book?
    Sure! My novella The Knife’s Daughter will be available July 10th from Pink Narcissus Press. You could say it’s loosely related to my love of food and ancient history (food comes up quite a lot and it’s set in a world inspired by ancient Korea). It’s meant as a subversion of familiar fairytale tropes, including the prince who goes on a quest; in this case, the hero is a prince who was born female but raised to consider themselves male. It’s written in the second person so that the hero is just referred to as “you.”




    If money were no object, what would your “dream” museum project be?
    I would like to stage a production of my college senior project (a one-act comedy in which I performed in drag as the Mesopotamian goddess Inanna), in the Ancient Near Eastern galleries at the Met.

    Thanks for sharing your thoughts with ExhibiTricks readers, Andrew! Find out more about Andrew's work through his ancient food blog at www.passtheflamingo.com or @passtheflamingo on Instagram and Twitter


    AND NOW THE FREE BOOK GIVEAWAY!  We will be giving away two FREE copies of Andrew's new book, The Knife's Daughter to two lucky ExhibiTricks readers!  Here's what you need to do to win --- if you are not yet a subscriber to the ExhibiTricks blog, just click on the link at the very top right of this page and subscribe via email or your favorite newsreader app.  If you are already a subscriber to the ExhibiTricks blog, just send me an email and put "I want to win a copy of Andrew's new book!" in the subject line.

    In either case, you must enter by July 27, 2018 to be eligible to win. One new subscriber and one existing subscriber email will be chosen at random to receive one copy of The Knife's Daughter. GOOD LUCK!



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  • Wow! and Aha!



    The 4th of July (in the U.S. at least) usually means big, celebratory fireworks shows.

    I love fireworks -- you can hear the crowds ooh and ahh as each new shell explodes and sends a splash of light across the sky.  As people leave the show, many of them will exclaim "Wow! that was great!"

    Fireworks are usually a "one and done" type experience. A big WOW while they are happening, but not much afterthought given to the experience.  And that's fine.

    Echo Activity 2018 by Olafur Eliasson
    The work of one of my favorite contemporary artists, Olafur Eliasson, has been described as "first there is Wow! followed by Aha!"

    There is a visual (and often visceral) thrill in encountering Eliasson's artwork (WOW!) but then a need to step back and think about (or often, figure out) what's going on (AHA!)

    It's nice to find (or create) a rhythm of exhibits and experiences in a museum so that there are plenty of Wows, but also many Ahas.



    Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

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  • Museums and Museum Groups -- STOP COVERING YOUR A*S!



    Why don't ALL museum job ads have salary ranges included?  Why don't ALL Museum Groups that host museum job ads require salary ranges be included in those ads?  The museum profession talks a good game concerning gender pay equity, fair pay, and diversifying the museum workforce. But talk, as they say, is cheap.  I expect more, and better, from the museum world than high-minded platitudes, so I want Museums and Museum Groups to:

    STOP COVERING YOUR ADS!

    Back in October last year, I wrote a blog post over my dismay in finding many (but not all!) museum groups still allowing ads for unpaid internships and job postings without salary ranges to be publicized through their websites and publications. I contacted the leaders of AAM, AAASLH, and NEMA to find out why they are still "covering their ads" and either got no definitive response or got a list of excuses ranging from "not wanting to upset museum members" to the concern that if salary range requirements were instituted, that museums would take their job postings "elsewhere."

    I'll state again that I expect more, and better, from the museum world than such weak responses, especially when requiring salary ranges on job postings is such a tiny, tiny difficult step toward resolving pay and diversity inequities in museums, compared to the REALLY HARD steps the museum profession says it wants to take toward a fairer and more representative museum workplace.

    The good news is that there are museum organizations that do require that salary ranges be included in museum job ads, and for that, they should be recognized and congratulated. The New York City Museum Educators Roundtable (NYCMER) has such a requirement and the website Museum Jobs (a project of Museum Hack) also requires that every posting includes salary ranges.  Laura Huerta Migus, the Executive Director of the Association of Children's Museums (ACM) is also in the vanguard of museum groups by requiring salary ranges for job ad postings.  Laura was kind enough to share her thoughts with me on this subject and has graciously allowed me to quote her words here:

    This is also a best practice that we’ve been adhering to for ACM’s own job postings since 2014. We don’t publish any job announcements without the actual salary range.  This has been a very important strategy, not just from an equity perspective, but also as an employer. In particular, it helps us understand if the job description (including skill requirements) matches the salary and if we need to reconsider the job description and/or minimum required skills. This has happened more than once over the past four years that I have been at ACM. For example, for our communications manager listing, we worked from the existing job description and published the salary and the respondent pool was all over the map, from new college grads to seasoned communications professionals who were seeking to take this position as a contract for their personal business. This wide spectrum of responses told us two things: 1) the salary was not high enough to attract the mid-level professional we were looking for, and 2) the job description did not have the right balance of responsibilities to appeal to the kind of candidate that we needed. So, we took down the job description, rewrote it, adjusted the salary, and reposted. The result is that we got a great (and diverse) candidate pool with the level of experience that we were looking for, and ultimately made a great hire. That said, we do have work to do to sustain a strong staff and be a competitive employer, but it is work we are making progress on for sure!

    So why make such a big deal about a (seemingly) small thing like salary ranges on museum job ads?  I'll stop here and refer you to the influential "Nonprofit AF" blog and a post by Vu Le about what he calls "Salary Cloaking." Le outlines many reasons why not posting salary ranges is just plain bad business for non-profits, but let me just pick out a few of his salient points:

    • It wastes everyone’s time

    • It perpetuates the gender wage gap

    • It starts a relationship off on a lack of trust and transparency

    I really believe the museum world can do better than this, so I am going to contact (again!) the leaders of the large national museum groups that are lagging behind in requiring that salary ranges be included on museum job ad postings.  I'm going to send them a link to this blog post and ask them (again!) to change their policies and procedures and STOP COVERING THEIR ADS! 

    I hope you will take a minute to contact the folks below and the leaders of other museum organizations you are associated with to let them know what you think.


    PLEASE EMAIL THESE MUSEUM LEADERS

    American Alliance of Museums (AAM):  Laura Lott

    American Association for State and Local History (AASLH): John Dichtl

    New England Museum Association (NEMA): Dan Yaeger


    Let's resolve this one small issue AND start tackling some of those bigger employment issues in the museum world!


    Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

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  • Creative Collisions: Impressions of the 2018 Ecsite Conference



    A record-breaking 1,182 professionals from 58 countries gathered in Geneva, Switzerland recently for the 29th edition of the Ecsite Conference. Well, that's your headline.  But the real nitty-gritty of this year's gathering of the European network of science centers and museums was exemplified by the conference theme of "Creative Collisions."

    I encountered many creative collisions at my first Ecsite Conference, and here are some of my impressions of the three days I spent there:

    Thursday started well with a "Newcomers Breakfast" event.  Small tables allowed for interaction between groups of "newbie" conference attendees. Each table also included members of the Conference Planning Committee or more "seasoned" attendees to provide tips to get the maximum benefit out of the Ecsite gathering.  

    The "official" start of the day began with a (mostly boring!) Opening Ceremony. Honestly, all museum conferences would do well to trim the shopworn notion of an opening event by 1/3 or 1/2, since it usually consists of an endless stream of officials offering a canned welcome speech extolling the virtues of either the host city/region or the great impact museums have on society. We all know this -- please start the conference!  (Each day has a closing evening event as well, but, to be frank, most of this year's Ecsite evening events were fairly lackluster so I won't describe them here.)

    Then the "Business Bistro" (what is normally called the exhibit hall or similar in the U.S.) opened to conference attendees.  At Ecsite the exhibition hall is a true "bistro" combined with coffee break stations and regularly scheduled opportunities to socialize and meet and network (Creative Collisions!) I was surprised at the good number of vendors from outside the European Union, including a booth from the Museum of Science in Boston advertising the "Science of Pixar" exhibition. There were also numerous coffee breaks and dessert breaks after lunch held at stations in different parts of the Business Bistro, which added to the sociable feeling evident throughout the entire Ecsite Conference. The Bistro was a natural spot for conversations and "creative collisions." Well done!


    Bistro Beast!

    The first session I attended was called "Challenging our brains to come up with new ideas." Each panelist shared a short presentation about their own creative process. It was interesting to see the different approaches each panelist used to inform their own creative practice.

    On each day there was a communal lunch break that was included in the conference registration. Attendees sat at shared tables and ate and chatted together.  This is very different from other museum conferences I have attended, where participants usually scatter in a hundred different directions during meal breaks. I think more North American conferences should adopt this shared mealtime (and networking!) practice.

    My last session on Thursday was an off-site tour of CERN, the massive scientific complex a short bus ride away from the center of Geneva.  We received a wonderful tour from a volunteer guide, Jose originally from Portugal, who is an engineer with the ATLAS project. Jose was enthusiastic and really knew his stuff! Our tour lasted for several hours, and we visited four different spots --- two areas more akin to museums/visitor centers, but also two areas with "real" stuff --- the control room for the ATLAS project, and the facility where they test the many, many superconducting magnet assemblies inside the Large Hadron Collider (LHC).  As one of my Facebook friends said, commenting on pictures of the tour, "It looks like nerd nirvana!"


    CERN Visitor Center

    Friday started out for me with a session called, "Small and big sins of science communication." This was a fun session filled with audience participation.  As we entered the session room we noticed a long yellow line (made of Post-It notes!) dividing the space in half.  The format allowed one person to "confess" something that they or their museum had done, and then session participants could stand on the "Yes, I have done that" or "No, not me" side of the room, responding to the original confession.  It was agreed that whatever was shared inside the workshop room would be kept in confidence, so attendees shared some difficult and emotional things. I liked the session very much, and the fun format really lets you see in a strong visual way the shared concerns that all museum professionals have.

    Friday's keynote talk by James Beacham, a physicist at CERN, was AMAZING! And a truly creative collision -- perhaps one of the best conference keynotes I've ever seen.  In addition to sharing thoughts about his scientific work ("look where nobody else is looking") James also talked about the interaction of science and society ("what are our REAL priorities?")  Rather than trying to summarize the talk, let me point you to the YouTube recording that Ecsite has provided.  (I wish more museum conferences did this!)


    James Beacham at Ecsite 2018

    Everyone was energized and excited after James Beacham's presentation as we moved to the late morning sessions.  I participated in a two-part session on either side of the communal lunch break, "The exponential potential of narrative."  In Part One, speakers shared concrete examples of the power of narrative in their work.  One of my favorites was the unlikely use of a video production using Santa Claus, Princess Elsa (from Disney's Frozen) and Jon Snow (from Game of Thrones) to share concerns about climate change!  In Part Two, we divided into small groups (one of which I facilitated) to develop narratives on a specific topic.  It was great fun, and a great format.  My biggest takeaway was that narrative can be part of the content, design, and even the physical environment in museums.


    Facilitating at the Narrative Workshop

    Friday finished with a "Business Bistro Happy Hour" where each vendor's booth served drinks and snacks (usually from the exhibitor's home region or country --- so Franconian whiskey from Germany or Cheetos from the USA!) During an event like this, it is important to remember that many small drinks = several large drinks.  I left the event very happy, and I imagine the number of signed contracts increases during this particular event as well!

    Saturday provided a strong finish to Ecsite 2018, with my first session called "Designing tinkering activities" that happened in the Conference's Maker Space.  It was fun to tinker, tape, and solder in a session of course, but my real takeaway was that the Ecsite 2018 Conference had both a dedicated Maker Space (filled with materials and volunteer staff for both drop-in and scheduled sessions) as well as a "GameLab" (a volunteer-staffed space filled with both digital and analogue gaming/game materials, also for drop-in or scheduled sessions.)  I saw several folks from ASTC in Geneva, so I hope they were taking notes about the possibility of having similar spaces at the ASTC Conference.

    The Saturday keynote speakers had a difficult task, given the success of James Beacham's Friday talk, but the endlessly charming Enders sisters (Giulia, the author, and Jill, the illustrator) creators of the worldwide bestselling book "Gut: The Inside Story of Our Body's Most Underrated Organ" were completely up to the task!  Appropriate for the "Creative Collisions" conference theme, Jill and Giulia gave their talk on stage together and spoke about their shared creative process -- both good and bad.  At all times, their love for each other as siblings as well as creative partners shone through.  Plus they were funny!  A definite A+ for this talk, which Ecsite has also kindly provided on YouTube.


    Giulia and Jill Enders at Ecsite 2018

    Saturday finished in a blur with a trip to the "Grand Bazaar" session, a series of hands-on opportunities at different tables with different presenters in a large room where conference attendees could wander at will.  The session and activities were great, and what a pleasure (and small world!) to see Peeranut Kanhadilok from the National Science Museum in Thailand again, after meeting her a few years ago at an ASTC Conference.


    Peeranut demonstration traditional Thai sound toys

    The session I attended in the very last slot of the conference was called "Delicious Science"!  Each presenter discussed food-related programming at their museums, and then each presenter made some food or presented a food experiment that workshop participants could sample. The session was well-attended, perhaps because of the tasty topic, but also because the last day of the Ecsite was a FULL day, not a HALF day, as in most North American conferences. I'm sure this cut down on people leaving early on the day before -- definitely something North American museum conference planners should consider.

    I enjoyed all the "creative collisions" during my first Ecsite Conference very much.  I'm sure it won't be my last!




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  • Design Inspiration: Origami Organelles!



    "Origami Organelles" seems like an oxymoron, but company founders Dominic and Melanie Delaney thought otherwise.

    The two former research scientists combined their love of science with the ancient paper art of origami to create a fun way to help people better understand science concepts. 

    After clicking over to the Origami Organelles website, you can purchase and download printable files which you can then cut out and assemble to better understand the structure and functions of everything from teeth to eyeballs to alcohol molecules (images of some of the finished models are pictured in this post.)




    There's something nice about this tactile, making aspect of learning science that I'm sure helps Origami Organelle users really internalize the science concepts featured in the paper models.

    Once you pay for a model (or a discounted bundle of models) you can print out as many as you want, so even a cash-strapped classroom teacher or museum educator can find some great inexpensive additions to a science (or maker!) program.

    Check out the Origami Organelle website or Facebook page for more info.


    Water Cycle Paper Model from Origami Organelles


    Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

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