Exhibit Resource List

The Great Big Museum Exhibit Resource List

The idea for this list started with Kathy Krafft as part of a conference presentation she gave several years ago. Shortly after, I offered to host the initial collection of sources on my website. Over time, the list expanded with my input and that of the late David Taylor, and was included in the "Handbook for Small Science Centers" book. Now, the Great Big Exhibit Resource List has become a way to keep track of "trusted sources" for museum exhibit designers, developers and fabricators, and is freely shared with colleagues. The GBER List continues to expand with input from museum "makers" from around the world. If you have additions, corrections, or comments, please send them to: paul@orselli.net and help this resource grow!

LOCAL SOURCES

1. Visit your local stores, and set up accounts; you may get contractor’s rates.

Check out plumbing and electrical and hardware and lumber and paint supply stores. Sometimes places like plumbing supply stores will let you behind the counters to look in their bins. Most stores are very supportive of local non-profit organizations, and enjoy the challenges of helping you when you are doing weird things in building exhibits.

2. Find out when it is quiet to get extra suggestions—not first thing in the morning when contractors are getting the parts they need for the day.

3. Never categorize or stereotype your stores—in exhibit fabrication you may well find what you need at strange, unexpected places. So visit, and see what is in stock at auto supply places (12 volt fans for your hand-powered generator, for instance) floor covering, fabric stores, office supply places, etc.

THE BIG THREE NATIONAL SOURCES

(If you don’t have these catalogs, get them! These suppliers have local branches throughout the country. Check the phone book or the website to locate your nearest outlet. Note: Addresses and telephone numbers often change! Use websites to confirm contact information.)

McMaster-Carr: www.mcmaster.com 3500 pages of hardware, plumbing (including clear PVC pipe and fittings), electrical, materials (metal, plastics, etc. delivered the next day usually. AMAZING collection.

Grainger: www.grainger.com

MSC: www.mscdirect.com

 

ASSISTIVE DEVICES

Enabling Devices: www.enablingdevices.com
385 Warburton Avenue
Hastings-on-Hudson, NY 10706
(800) 832-8697

Flaghouse: www.flaghouse.com
601 FlagHouse Drive
Hasbrouck Heights, NJ 07604
(800) 793-7900

Maxi-Aids: www.maxiaids.com
42 Executive Blvd.
Farmingdale, NY 11735
(800) 522-6294

Patterson Medical: www.sammonspreston.com
4 Sammons Court
Bolingbrook, IL 60440
(630) 226-1300

Special Needs Toys: www.specialneedstoys.com/usa/
4537 Gibsonia Road
Gibsonia, PA15044
(800) 467-6222

 

BOOK BINDING

Perma-Bound: www.perma-bound.com
617 E.Vandalia Road,
Jacksonville, Illinois 62650
(800) 637-6581

San Val Incorporated: www.sanval.com
895 Frisco Street
Steelville, MO 65565
(800) 325-4465

 

CHEMICALS AND LAB EQUIPMENT

Cole-Palmer: www.coleparmer.com
625 East Bunker Court
Vernon Hills, Illinois 60061
(800) 323-4340

Fisher: www.fisherscientific.com
Liberty Lane
Hampton, NH 03842
(603) 926-5911

Flinn Scientific: www.flinnsci.com
P.O. Box 219
Batavia, IL 60510
(800) 452-1261

Sargent-Welch: www.sargentwelch.com
P.O. Box 5229
Buffalo Grove, IL 60089
(800) 727-4368

Sigma-Aldrich: Unusual chemicals.

 

DIGITAL AUDIO AND VIDEO PLAYBACK DEVICES

BrightSign: Digital signage solutions
12980 Saratoga Ave., Ste. D
Saratoga, CA 95070
(408) 852-9263

Eletech Electronics: www.eletech.com
16025 Kaplan Avenue
City of Industry, CA 91744
(626)333-6394

Stop & Listen: www.stoplisten.com
7515 Flint Road S.E.
Calgary, Alberta CANADA T2H 1G3
(800) 387-2365

Technovision - Custom sensors and controllers. www.technovision.com
933 Canada Ct.
City of Industry, CA 91748
(626) 839-1488

 

DIGITAL IMAGES AND PRINTING

Beyond Digital Print: www.beyonddigitalprint.com
6401 E. Rogers Circle
Boca Raton, FL
(561) 922-5250

Corbis: www.Corbis.com

Display Creatives: Pop-Up Displays and printing. www.displaycreatives.com
888-760-1612

Fotosearch Stock Photography: www.fotosearch.com
21155 Watertown Road
Waukesha, WI 53186
(262) 717-0740 (800)827-3920
(Also check out the sister site, www.canstockphoto.com)

Getty Images: www.Gettyimages.com

MegaPrint: Large format print specialists www.megaprint.com
800-590-7850

MorgueFile: www.morguefile.com Free images for your use in your creative work.

MVP Visuals: www.mvpvisuals.com
Suppliers of high-impact visuals and custom branded displays.

The Public Domain Project: www.pond5.com free Completely free public domain images and videos

Stella Color: www.stellacolor.com Sustainable Printing Solutions

Stockphoto.com: www.istockphoto.com

Shutterstock: www.shutterstock.com

Walsworth Printing and Publishing: www.walsworth.com
Printers of custom books and periodicals.

 

EDUCATIONAL AND CLASSROOM SUPPLIERS

(Visit your local schools- they have lots of catalogs!)

Acorn Naturalists: www.acornnaturalists.com
Good source of animal footprints and casts, plus lots of other biology and botany stuff.

Childcraft: www.childcrafteducation.com
P.O. Box 3239
Lancaster, PA 17604
(800) 631-5652

Creative Health Products: www.chponline.com Weight scales, other health products.
5148 Saddle Ridge Road
Plymouth, MI 48170
(800) 742-4478

Discount School Supply www.discountschoolsupply.com

Educational Innovations: www.teachersource.com
362 Main Avenue
Norwalk, CT 06851
(203) 229-0730

Edmund Scientific: www.scientificsonline.com Magnets, polarizing sheet, all kinds of science stuff.

Edmund Industrial Optics: www.edmundoptics.com lenses, optical parts.

ETA/Cuisenaire: www.etacuisenaire.com Math manipulatives, posters.
500 Greenview Court
Vernon Hills, IL 60061
(800) 875-9643

Haba: www.habausa.com

Health Edco: www.healthedco.com

Lakeshore: www.lakeshorelearning.com Early childhood materials.

Woodworks Ltd: www.craftparts.com
4521 Anderson Blvd.
Fort Worth, TX 76117
(817) 581-5230

 

ELECTRONICS

Adafruit Industries: www.adafruit.com
80 Nassau Street, #4C
New York, NY 10038
(646) 248-7882

Allied: www.alliedelec.com
7410 Pebble Drive
Fort Worth, Texas 76118

Anatek: www.anatekcorp.com Video and TV related electronics.
P.O. Box 1200
100 Merrimack Road
Amherst, NH 03031
(603)673-4342

BG Micro: www.bgmicro.com
3024 Lincoln Ct
Garland, Texas 75041
(800) 276-2206

Digi-key: www.digikey.com
River Falls, MN 56

Happ Controls: www.happcontrols.com Pushbuttons, pinball accessories, etc.
106 Garlisch Drive
Elk Grove, IL 60007
(888) BUY-HAPP

Hosfelt Electronics: www.hosfelt.com
2700 Sunset Blvd.
Steubenville, OH 43952
(888) 264-6464

Jameco: www.jameco.com
1355 Shoreway Road
Belmont, CA 94002
(800) 831-4242

MakerSHED: www.makershed.com DIY Kits + Tools + Books + Fun from the MAKE Magazine folks

Markertek: www.markertek.com Cameras, cables, tools, audio equipment.
Great source for video production equipment and unusual stuff.
812 Kings Highway PO Box 397
Saugerties, New York 12477
(800) 522-2025

Mouser: www.mouser.com
1000 North Main Street
Mansfield, Texas 76063
(800) 346-6873

Newark: www.newark.com
4801 N. Ravenswood
Chicago, IL 60640-4496
(773) 784-5100

Radio Shack: www.radioshack.com

Ramsey Electronics: www.ramseyelectronics.com
Good source of electronics kits that can be turned into exhibits.
590 Fishers Station Dr.
Victor, NY 14564
(800) 446-2295

Solid State Advanced Controls: www.ssac.com
Sometimes the only source for hard-to find electronic timers and other modules that do switching, current measuring, etc. generally for 120VAC circuits.

SparkFun Electronics: www.sparkfun.com
6175 Longbow Drive
Suite 200
Boulder, CO 80301
(303) 284-0979

String Pots: www.stringpot.com
String Potentiometers = Potentiometer + Spring-Loaded Pulley.

Supercircuits: www.supercircuits.com Video and security equipment.
One Supercircuits Plaza
Liberty Hill, Texas 78642

Tapeswitch: www.tapeswitch.com
100 Schmitt Boulevard
Farmingdale, NY 11735
(631) 630-0442

 

EXHIBIT RENDERING TOOLS

SketchUp: www.sketchup.com Excellent free rendering program.

 

EXTRUSIONS

80/20 Inc: www.8020.net "The Industrial Erector Set"
1701 South 400 East
Columbia City, IN 46725
(260) 248-8030

FlexPVC: www.flexpvc.com Amazing array of PVC shapes and fittings.
1-888-PVC-FLEX

MayTec: www.maytecinc.com
901 Wesemann Drive
West Dundee, IL 60118
(847) 429-0321

MicroRAX: www.microrax.com Miniature extruded aluminum t-slot framing
Twintec, Inc.
1510 Boundary Blvd., Suite 100
Auburn, WA 98001
(800) 979-9645

Octanorm: www.octanormusa.com
701 Interstate West Parkway
Lithia Springs, GA 30122
(800) 995-2995

Parker’s Industrial Profile Systems: http://bit.ly/e8RBYm
6035 Parkland Blvd.
Cleveland, OH 44124
(216) 896-3000

 

FAKE FOODS

Fake-Foods.com: www.fake-foods.com
204 North El Camino Real, #432
Encinitas, CA 92024

Hubert: www.hubert.com Display supplies.

Incredible Inedibles: www.incredibleinedibles.net

Iwasaki Images: www.iwasaki-images.com
630 Maple Ave.
Torrance, CA 90503
(800) 323-9921

Forbex: www.forbex.com Fake grass.

(Childcraft also sells inexpensive collections of fake foods.)

 

FIBERGLASS AND MOLDMAKING

Aircraft Spruce & Specialty: www.aircraft-spruce.com
Fiberglass supplies, Kevlar, aviation instruments, the entire world of aviation fasteners.
1-877-4-SPRUCE

Fiberglass Coatings: www.fgci.com (in St. Petersburg, FL) A great source for
fiberglassing supplies, casting resins, and knowledge.

3201 28th Street N.
St. Petersburg, FL 33713
(727) 327-8117

Fibre Glast: www.fibreglast.com
95 Mosier Pkwy Brookville, OH 45309
800-330-6368

Polytek: www.polytek.com Rubber moldmaking supplies, casting materials.

 

FLOORING

Gerbert Limited: www.gerbertltd.com Recycled flooring materials.

715 Fountain Ave.
P.O. Box 4944
Lancaster, PA 17604-4944
(800) 828-9461

Lees Carpets: www.leescarpets.com Many sustainable flooring choices. NeoFloor is especially good for children’s areas.

500 TownPark Lane
Suite #400
Kennesaw, GA 30144
(800) 523-5647

Pirelli Flooring: www.artigo.com Interesting flooring products.

 

FRAMING AND MOUNTING MATERIALS

Get Smart Products: www.pfile.com
Super cheap frames!

IKEA: www.ikea.com
It’s hard to find more attractive and inexpensive frames than those from IKEA.

Light Impressions: www.lightimpressionsdirect.com
P.O. Box 787
Brea, CA 92822
(800) 828-6216

Pictureframes.com: www.pictureframes.com
2103 Brentwood Street
High Point, NC 27263
(800) 332-8884

 

FURNITURE

ATD-AMERICAN: www.atd.com
135 Greenwood Ave.
Wyncote, PA 19095
(215) 576-1000

Community Playthings: www.communityplaythings.com
PO Box 2
Ulster Park NY 12487
(800) 777-4244

DEMCO: www.demco.com
P.O. Box 7488
Madison, WI 53707
(800) 962-4463

Gaylord Library Supplies: www.gaylord.com
Kid-sized furniture.
(800) 448-6160

Mockett: www.mockett.com
Hardware, pulls, wire grommets.

Smith System: www.smithsystem.com
PO Box 860415
Plano, Texas 75086
(800) 328-1061

Worthington Direct: www.worthingtondirect.com
6301 Gaston Ave., Suite 670
Dallas, TX 75214
(800) 599-6636

 

GEARS, CLUTCHES, SHAFTS

Atlanta Belting: www.atlbelt.com Conveyor belt-- smooth, textured.

Boston Gear: www.bostongear.com
14 Hayward Street
Quincy, MA 02171
(888) 999-9860

Emerson/Morse/Browning: www.emerson-ept.com
WM Berg: www.wmberg.com
499 Ocean Avenue
East Rockaway, NY 11518
(800)232-BERG

 

GLOW-IN-THE-DARK STUFF

ABET Laminati: www.abetlaminati.com Lumiphos laminate material.

Educational Innovations: www.teachersource.com Check out their glow-in-the-dark pigments.
362 Main Avenue
Norwalk, CT 06851
(203) 229-0730

Flinn Scientific: www.flinnsci.com Small sheets and paint.
P.O. Box 219
Batavia, IL 60510
(800) 452-1261

Glow Inc: www.glowinc.com

Hanovia: www.hanovia-uv.com
6 Evans Street
Fairfield, NJ 07083
(973) 651-5510

Jessup Manufacturing: www.globritesystem.com
2815 West Route 120
McHenry, IL 60051
(815) 385-6650

Shannon Luminous Materials: www.blacklite.com
304 A North Townsend
Santa Ana, CA 92703
(800) 543-4485

 

GRAVITY WELLS

Divnik International: www.SpiralWishingWells.com
321 Alexandersville Road
Miamisburg, Ohio 45342
(937) 384-0003

 

GREEN EXHIBITS MATERIALS

Build it Green: www.builditgreen.org

Environmental Home Store: www.environmentalhomestore.com
The Environmental Home Store
550 Carpenter Lane at Greene Street
Philadelphia, PA 19119
(215) 844-GREEN

Green Exhibits: www.greenexhibits.org

Center for Neighborhood Technology, Green building resources:
www.building.cnt.org

Yemm & Hart: www.yemmhart.com Recycled building materials.
1417 Madison
Marquand, MO 63655
(573) 783-5434

 

HARDWARE AND TOOLS

Ballew Saw and Tool: www.ballewsawandtool.com Sharpens saw blades, sells blades and bits.
325 S. Kimbrough
Springfield, MO 65806
(800) 288-7483

Carbide.com: www.carbide.com Router bits, etc.

Cherry Tree: www.cherrytree-online.com Wood balls, parts.
408 S Jefferson Street
Belmont, OH 43718
(800) 848-4363

Enco Tools: www.use-enco.com Tools, general selection & large tools.

Fastenal: www.fastenal.com Industrial and construction supplies.
2001 Theurer Blvd.
Winona, Minnesota 55987
(507) 454-5374

FastCap: www.fastcap.com Check out "speed tape".

Grizzly: www.grizzly.com Large and small tools, bits, supplies, wood samples.

Hafele: www.hafele.com
Huge assortment of hardware for furniture making.

Harbor Freight: www.harborfreight.com
Inexpensive tools ,variable quality on some brands.

JC Whitney: www.jcwhitney.com Automotive supplies.

Klingspor: www.klingspor.com
Woodworking: sandpaper in bulk (belts, drums, disks, sheets.)

Lee Valley: www.leevalley.com Woodworking tools, also cheap source for small neodymium magnets.
P.O. Box 1780
Ogdensburg, NY 13669
(800) 871-8158

Lehman’s: www.lehmans.com Old time tools, blacksmithing supplies.
One Lehman Circle
P.O. Box 321
Kidron, OH 44636
(888) 438-5346

Northern Tools: www.NorthernTool.com
2800 Southcross Drive West
Burnsville, Minnesota 55306
(800) 221-0516

Roberts Plywood: www.roberts-plywood.com Curved plywood, large wooden tubes.

Southco: www.southco.com Latches, cabinet hardware.

Tool Parts Direct: www.toolpartsdirect.com Parts for tools- with diagrams for identifying the part!
6620 F Street
Omaha, NE 68117
(866) 597-3850

West Marine: www.westmarine.com Marine supplies.

Woodcraft: www.woodcraft.com Tools and supplies.
(800) 535-4482

Woodworker's Supply: www.woodworker.com

 

LIGHTING AND LIGHTS

Bulbs.com: www.bulbs.com
40 Jackson Street
Worcester, MA 01608
(888) 455-2800

Bulbman: www.bulbman.com

Interlight: www.interlight.biz
7939 New Jersey Avenue
Hammond, IN 46323
(800) 743-0005

Topbulb: www.topbulb.com
5204 Indianapolis Boulevard
East Chicago, IN 46312
(866) TOP-BULB

UV SYSTEMS: www.uvsystems.com A great source for UV lighting and components.
16605 127th Avenue SE
Renton, WA 98058-5549
(425)228-9988

 

MAGNETS

Adams Magnetic: www.adamsmagnetic.com

Kling Magnetics: www.kling.com Magnetic Paint.
343 Rt. 295 - PO Box 348
Chatham, NY 12037
(518) 392-4000

Force Field: www.wondermagnet.com
2606 West Vine Dr.
Fort Collins, CO 80521
(877) 944-6247

 

METALS

McNichols: www.mcnichols.com Perforated sheet metal, steel grating.
5505 West Gray Street
Tampa, FL 33609-1007
(813) 282-3828 x 2100

Murphy-Nolan: www.murphynolan.com

OnlineMetals.com: www.onlinemetals.com Stocks and sells a variety of metals; including small orders
1138 W. Ewing Street
Seattle, WA 98119
(800) 704-2157

 

MISCELLANEOUS

Archie McPhee / Accoutrements: www.mcphee.com Wacky products!
2428 NW Market Street
Seattle, WA 98107
(206) 297-0240

Bry-Tech Distributors: www.bry-tech.com Upholstery Materials & Supplies
1143 Haines Street
Jacksonville, FL 32206
(800) 329-7283

Company Folders, Inc. www.companyfolders.com Folders and Presentation Materials
3297 Orchard Lake Rd, Suite 203
Keego Harbor, Michigan 48320
(248) 738-7600

Displays 2 Go: www.displays2go.com Small sign holders, stands, displays.
55 Broad Common Road
Bristol, RI 02809
(800) 572-2194

Engineered Etchings: www.engineeredetchings.com Etched granite and marble plaques and displays
Cookeville, Tennessee 38506
(931) 267-1542

Ecospheres: www.eco-sphere.com Self-contained ecosystem spheres.
4421 N. Romero Rd
Tucson, Arizona 85705
(800) 729-9870

Fake Earth: www.polypavement.com

Freund Cans: www.freundcontainer.com Containers of all sorts.
11535 S. Central Avenue
Alsip, IL 60803
(800)363-9822

Hobby Express: www.hobbyexpress.com

Hobby People: www.hobbypeople.net Small motors, controllers for models.

JML Direct Optics: www.jmloptical.com Parabolic mirrors.
76 Fernwood Ave.
Rochester, NY 14621
(585) 342-8900

Just Plastic Boxes: www.justplasticboxes.com Plastic boxes of all types.
2535 Bing Miller Lane
Urbana, IA 52345
800-736-0651

Library of Congress: American Environmental Photographs
www.memory.loc.gov

LED Light Stick Art: www.subliminaryartworks.com
Bill Bell
139 Davis Ave
Brookline MA 02445
(617) 277-4719
billbell@subliminaryartworks.com

M. Jacobs & Sons www.mjacobandsons.com All sorts of bottles and jars.
31700 Middlebelt Rd., Suite 165
Farmington Hills, MI 48334
(248) 737-9440

Oriental Trading Company: www.orientaltrading.com Cheap multiples. Craft and party items.

PilotVials.com www.Pilotvials.com Clear and amber glass vials, plastic jars for all your packaging needs.
2965 Valley Vista Drive
Sedona, AZ 86351
(928) 254-0533

Radiant Manufacturing www.radiantmfg.com Giant Sequins and "flutter discs" for Air Cannon exhibits.
(877) 787-8880

Rhode Island Novelty: www.rinovelty.com
19 Industrial Lane
Johnston, RI 02919
(800) 528-5599

Sand & Solutions: www.waupacasand.com
Rubber mulch. (For clean “sandboxes” and playgrounds.)
(715) 258-8566

Scent Machines: www.scentair.com

Stella Color: www.stellacolor.com Images on carpet; interesting mural wallpaper.

Strapworks: www.strapworks.com
All kinds of webbing, strapping ropes, etc.
3170 Elmira Rd.
Eugene, OR 97402
(541) 741-0658

Toysmith: www.toysmith.com

Ultrasonic Mistmakers: www.mainlandmart.com
MainlandMart.com
2535 Durfee Ave.
El Monte, CA 91732
(626) 258-2928

 

PLASTICS

AIN Plastics: www.ainplastics.com

Curbell Plastic: www.curbell.com
7 Cobham Drive
Orchard Park, NY 14127
(716) 667-3377

Outwater Plastics: www.outwater.com
Weird architectural stuff, tee molding in all sizes and shapes and colors, etc.
4 Passaic Street, Wood-Ridge, N.J. 07075
1-888-OUTWATER (688-9283)

United States Plastic: www.usplastic.com
Lots of plumbing parts, tubing.
1390 Neubrecht Rd.
Lima, Ohio 45801-3196
1-800-809-4217

 

SAFETY RESOURCES AND MATERIALS

MSDS on line: www.msdssearch.com

Arts, Crafts & Theater Safety: www.artscraftstheatersafety.org

 

SCIENCE MATERIALS SUPPLIERS

Acorn Naturalists: www.acornnaturalists.com
Good source of animal footprints and casts, plus lots of other biology and botany stuff.

American 3B Scientific: www.a3bs.com
2189 Flintstone Drive, Unit O
Tucker, GA 30084
(770) 492-9111

Arbor Scientific: www.arborsci.com
PO Box 2750
Ann Arbor, MI 48106
(800) 367-6695

Ben Meadows: www.benmeadows.com Forestry/Outdoors supplies, surveying equipment
P.O. Box 5277
Janesville WI USA 53547
(800) 241-6401

C&A Scientific: www.cnascientific.com
7241 Gabe Court
Manassas, VA 20109
(703) 330-1413

Carolina Biological: www.carolina.com Microscope slides, fruit flies and
other critters, lots more.

Copernicus Toys: www.copernicustoys.com
1012 C Druid Ave
Charlottesville VA 22902
(800) 424-3950

Kelvin Scientific: www.kelvin.com
280 Adams Blvd.
Farmingdale, NY 11735
(800) 535-8469

NASCO: www.enasco.com A site for multiple supply catalogs.

PASCO: www.pasco.com Excellent physics supplies and materials.
10101 Foothills Blvd.
Roseville, CA 95747
(800) 772-8700

Pitsco: www.pitsco.com Kits, meters, etc.
915 E. Jefferson
P.O. Box 1708
Pittsburg, KS 66762
(800) 835-0686

Science Kit & Boreal Laboratories: www.sciencekit.com

SEIDAM: www.seidam.com
Kelvin Building
University of Glasgow
University Avenue
Glasgow, SCOTLAND
G12 8QQ
+44 (0)141 330 2047

Steve Spangler Science: www.stevespanglerscience.com
4400 South Federal Blvd
Englewood, CO 80110
(800) 223-9080

Ward’s Natural Science: www.wardsci.com
PO Box 92912
Rochester, NY 14692
(800) 962-2660

 

SCROLLING IMAGE SIGNS AND LIGHTBOXES

Bowman Displays: www.bowmandisplays.com
648 Progress Avenue
Munster, IN 46321
(800) 922-9250

Dick Blick: www.dickblick.com
P.O. Box 1267
Galesburg, IL 61402
(800) 828-4548

Warwick Products Company: www.warwickproducts.com Store fixtures, displays.

 

SURPLUS SUPPLIERS

American Science and Surplus: www.sciplus.com Weird collection of small parts.
P.O. Box 1030
Skokie, IL 60076
(847) 647-0011

Herbach and Rademan (H&R): www.herbach.com Cheap motors, blowers, power supplies etc.
353 Crider Avenue
Moorestown, NJ 08057
(800) 848-8001

Retail Closeout Mall: www.retailcloseoutmall.com
11632 Frankstown Road #310
Pittsburgh, PA 15235
(412)734-5849

Surplus Shed: www.surplusshed.com
1050 Maidencreek Road
Fleetwood, PA 19522
(877) 7-SURPLUS

 

THEATRICAL SUPPLIES/FABRICS

Ahh.biz: www.ahh.biz Specialized Textile Outfitters.
American Home & Habitat
Route 4, Box 86
Squires, MO 65755
(417) 683-1838

Dazian Fabrics: www.dazian.com Theatrical and Outdoor Fabrics

Fred Krieger Fabrics: www.fredkriegerfabrics.com
420 Jericho Turnpike
Jericho, NY 11753
(800) 892-8142
Pro Sound & Stage Lighting: www.pssl.com Audio, video, party lights.
11070 Valley View Street
Cypress, CA. 90630
1-800-268-5520

Rosco: www.rosco.com Specialized lighting fixtures and gels (colored mylar sheets), hardware.

Rose Brand: www.rosebrand.com Theatrical Supplies

Sam Ash: www.samash.com Musical Instruments, Sound equipment.
(800) 4-SAMASH

Seattle Fabrics: www.seattlefabrics.com Theatrical and Outdoor Fabrics
Seattle, WA. 98103
(206) 525-0670

Sew What?: www.sewwhatinc.com Custom-sewn theatrical drapes and fabrics
1978 Gladwick Street
Rancho Dominguez, CA 90220
(310) 639-6000

ExhibiTricks blog

  • Does Your Makerspace Really Need a 3D Printer?



    I have a new article out in the latest issue of the Association of Children's Museums journal, Hand to Hand.

    The theme of the issue is "The Maker Movement" and my article is entitled "Do You Really Need a 3D Printer, and Other Essential Questions You Need to Ask about a Museum’s Makerspace."

    You can download a PDF version of the article via the Free Exhibit Resources section of my POW! website, but here are a few excerpts about Makerspaces (and other design-focused spaces) that I shared in my article:

    • I love the idea of 3D printers, in a Jetsons/Sci-fi/World’s Fair type of way. The promise of using a tabletop device to create absolutely anything out of any material (even food!) is pretty amazing. The reality, however, is you can spend hours designing a widget the size of a quarter that then takes even more hours to print successfully on the 3D printer… only to often find out that it hasn’t. When they work, they’re magic, but they’re not that simple to operate.

    • Forming creative partnerships with makers in the communities around your museum can be mutually beneficial. This could be as simple as recruiting artists/tinkerers to showcase their work and how they make it to your visitors. You could also recruit retired tool and die makers, seamstresses, or NASA scientists.

    • The focus on flashy high-tech gadgets exemplifies how the development of makerspaces in organizations can be susceptible to a “Ready, Fire, Aim!” mentality. Makerspaces are perceived as cool and eminently fundable, but often museums start planning spaces and purchasing equipment (Laser Cutters! 3D Printers! Robot Kits!) without considering what a makerspace is all about, and what the qualities of the most successful spaces are.

    •  An unstaffed or unfacilitated makerspace is a wasted space. The best interactions in a good maker space will certainly involve staff and visitors learning together. Does the stuff (tool and materials) you provide help foster those human connections?

    •  Many makerspaces have adopted a rough, workshoppy, “toys for boys” aesthetic that can be off-putting for many people (male or female) who are unsure of their making skills and interests. Why not mix up the look and feel of different areas in your space so you don’t stop potential makers dead in their tracks as they peek through the door?

    I hope you'll download my entire article by clicking here, and also check out the ACM website to learn how to obtain the entire "Maker Movement" issue of Hand to Hand. 


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  • Reflecting on North American Museum Work Through a German Lens



    I recently returned from Germany where I was invited by Hüttinger Interactive Exhibitions in Nuremberg to present workshops to their staff and then visit museums in Berlin for coordinated staff training and learning activities.

    I think my experiences in a European country with different ways of approaching museums and museum work are worth sharing, so here are my thoughts about some of the things I did and saw and how they relate to museum work here in the U.S.


    Hüttinger Company Approach

    First off, I was very impressed with Hüttinger --- their large staff and facilities, as well as their in-house range of fabrication capabilities, were all outstanding.  However, what continues to strike me the most is the Hüttinger company commitment to their employees.  In addition to the staff training and learning excursion that I was a part of, I was very interested to hear about the company's profit-sharing program with their employees, and an intra-company Wiki system of documents that every employee has access to --- so that Hüttinger stands as a very open and transparent company.  In my experience, this sets Hüttinger apart from many of their competitors, not only in Europe but in North America as well.

    Exhibits in one of Huttinger's workshops


    Berlin Museum Experiences

    In Berlin I had the opportunity to explore three places with Hüttinger staff, two museums and one corporate exhibition space.

    The first museum we visited was Science Center Spectrum, which by some claims is (historically speaking) the oldest Science Center in the world.  The current Spectrum facility was completely revamped in 2013 and consists of thematically-arranged exhibits (Light, Sound, Heat, etc.) spread out over four floors.  The vast majority of Spectrum's exhibits are produced in-house and so the components themselves are made in a fairly straightforward way using familiar materials.   

    Spectrum Exterior

    I enjoyed my visit to Spectrum, although many (but not all!) of the exhibits were familiar Science Center classics.  One of the things about Spectrum that stood out for me was its simplicity and accessibility.  None of the spaces or experiences were meant to overwhelm the visitor (as it so often seems to be the case in mega-Science Centers in North America or elsewhere in Europe.)

    Coupled-pendulum swing

    The second museum we visited in Berlin was The Museum of Technology (actually situated right next to Spectrum.)  I would consider The Museum of Technology an "old school" museum in the sense of a big museum with large, yawning exhibition galleries filled with equally large artifacts like locomotives, machinery, and models. 



    Most of the interactive experiences I encountered, whether mechanical or screen-based, seemed very didactic and oriented towards carrying very specific content messages.  Even in collections-heavy museums in the U.S. I am used to seeing more open-ended messaging and interactive experiences. 


    Nevertheless there is still something special about being in the presence of authentic objects in a social space, and in that sense, The Museum of Technology did not disappoint (although I have probably seen enough ship models to last me for the rest of 2017!)

    Sail-making display in the Ship Section

    The last place I visited in Berlin was called DRIVE.  It is part corporate showroom, part auto show, part interactive exhibits gallery put on by Volkswagen inside of a large commercial space located in one of the shopping districts in Berlin.  DRIVE was free to enter and when I was there showed VW products and exhibits centered around electricity and electrical vehicles.  It was an interesting combination of traditional science center exhibits (in this case borrowed from Phaeno Science Center in Germany, and including some components made by Hüttinger) along with some custom-made touchscreen devices.  

    DRIVE entrance

    There was also the science museum standard of a large Van de Graaff generator that you could get a picture of yourself with, having all the hair on your head standing up in the air.)  I think this "hybrid" approach of free corporate showroom exhibition galleries integrated into downtown areas is an interesting approach not really seen in North America.





    Nuremberg Museum Experiences


    Since I had never been to Nuremberg, when I had a free day to explore the city, I wanted to see as many things as possible. Not only did I get to walk around the Imperial Castle grounds, but I also got to visit the Toy Museum, Albrecht Dürer's House, and, most importantly, the Documentation Centre Museum at the former Nazi Party Rally Grounds.
    The Toy Museum was primarily a fairly standard static collection of historical toy displays, and a small "Children's Room" with simple activities, not directly connected to the collections. This seemed like a missed opportunity, not only because the subject of toys naturally lends itself to interactive exhibit areas, but also because Nuremberg has a history as a "Toy City" and continues to host an annual international Toy Fair.  I think the Toy Museum could really benefit by teaming up with design students or emerging museum professionals to expand the museum's repertoire of interactive experiences.


    Albrecht Dürer's House was a delightful blend of a historic house of one of Nuremberg's most famous citizens, as well as a combination of different interpretive techniques, including a very good audio tour, meaningful touchscreen interactives, and participatory elements like a printing press room where visitors could make their own prints. All of these elements worked well to give a strong portrait of the famous Renaissance artist Dürer.

    Clear LED touchscreen display on artifact case in Durer House

    In all honesty, before visiting Nuremberg in person, my main association with the city was the famous war crime trials that happened after World War II. My hosts thought it was important that I see the Documentation Centre Museum and I'm very glad I did.

    The Museum is situated outside the Old City, at the former Nazi Party Rally Grounds. Because of Nuremberg's relationship to the Holy Roman Empire, Hitler and the Nazi party constantly used the city as a backdrop for rallies and as a justification for German "purity" and the Third Reich.  The experience of visiting the Museum is completely linear and led by an audio tour that very carefully brings you through the history of Hitler's rise and the importance of Nuremberg in that rise.

    Old Nazi Rally Grounds exterior

    Because the museum cuts through the old Nazi Party Rally Grounds buildings, you are literally walking through history in an extremely place-based way.  It's hard to describe how upsetting it was to go through the Documentation Centre Museum and learn in excruciating detail about the activities centered around Nuremberg and the rise of Hitler and not find striking parallels to what President Trump and his advisors are doing right now in Washington. I'm ashamed of my historical ignorance regarding the Nazis and Nuremberg, but I'm even more ashamed of the behavior of President Trump that appears willfully unconcerned with historical parallels in Germany.



    It seems easy for us in the United States to carelessly toss around words like "Nazi" and "Hitler" when talking about someone you disagree with politically. But I urge ExhibiTricks readers of all political stripes to learn more about what happened in Nuremberg (through the Documentation Centre Museum website and other sources) to compare that history to current U.S. events.

    All in all, it was a fascinating trip to Germany, that helped me not only reconsider my museum professional practice, but also my place in our interconnected world.  Thanks again to Hüttinger Interactive Exhibitions for giving me such an opportunity!


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  • Off to Germany!



    I'm delighted to have been invited to speak about exhibition development and to also critique exhibitions in Nuremberg and Berlin with the staff of Hüttinger Interactive Exhibitions in Germany this week.

    For the past several years, Hüttinger Interactive Exhibitions has been doing a professional development program with their staff. Once a year, their staff climbs into a bus for several days of exhibition critiques. First they visit one institution for which Hüttinger has worked, and then another museum for which their respected competitors have produced exhibits. This year we will be visiting museums in Berlin.

    The deal with their staff is simple: Hüttinger pays all expenses and the staff donate a full day of their free time, and there is no obligation for anybody to participate. Prior to the Berlin museum junket, I will lead Exhibit Development Workshops at Hüttinger's headquarters in Nuremberg. Previous internationally respected speakers for this workshop series have included Peter Anderson, Elsa Bailey, and Ian Russell.

    While I'm away in Germany, I thought now would be a great time to post an essay previously featured on ExhibiTricks by Managing Director Axel Hüttinger.  Click here to read "What is Innovative Exhibition Design?" 



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  • The Amazing World of Dinosaurs: An Interview with James Kuether



    James Kuether is an award-winning artist whose paintings and photographs hang in galleries and private collections around the globe. He is an amateur fossil hunter and a life-long dinosaur enthusiast. His natural history art has appeared in numerous publications and enhances natural history museum displays in the United States and Europe. 

    His book, "The Amazing World of Dinosaurs" features a collection of more than 160 original illustrations and was published by Adventure/Keen in October 2016. James is a member of several professional artist organizations as well as the Society for Vertebrate Paleontology. In addition to creating artwork, James has been a corporate executive, an executive coach, and a consultant to nonprofit organizations and Fortune 500 companies. He makes his home in Minneapolis, MN.
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    Jim was kind enough to answer these questions for ExhibiTricks readers.  As a bonus, we'll be giving away autographed copies of "The Amazing World of Dinosaurs" to two lucky ExhibiTricks readers, so read on for more details!



    What’s your educational background? I have a non-traditional education. I worked in the financial services world for 25 years. During that career, I studied art, going on to become a fairly accomplished watercolorist. That experience provided a grounding in art principles and theories. At the same time, my interest in dinosaurs had me subscribing to academic journals and buying every book on the topic I could get my hands on. So regarding the disciplines of art and paleontology, I’m mostly self-taught.


    What got you interested in dinosaurs and dinosaur illustration? My grandparents had a ranch just outside of Rapid City, South Dakota. One of my earliest memories is of my grandmother taking me to the South Dakota School of Mines Museum in Rapid City where I saw a mounted skeleton of the duck-billed dinosaur Edmontosaurus. Right from there, we drove up to Dinosaur Hill where there were life-sized reconstructions of dinosaurs. I think I was 5 years old, and from then on, I was hooked. 




    Regarding art, throughout my career as a watercolorist, I painted “respectable” subjects like landscapes, still lifes and traditional figures. Then about 10 years ago, 3D computer graphics became accessible and affordable for home computer systems. I began dabbling, and it was then that my passion for both dinosaurs and art really came together.


    What informs your design process? First and foremost it is the scientific accuracy of both the dinosaur’s anatomy and its environment. The species of vegetation that existed during the time of dinosaurs are different – in some cases very different – from those we’re familiar with today. It’s important to make sure that the plants in the images lived at the same time as the depicted dinosaurs.

    In addition, the same factors that influence traditional art –color, value, composition – inform the image. It’s not enough to plop some cool-looking animals into a scene. I give a lot of consideration to the behaviors of the animals and how to compose them within a scene that is not only pleasing to look at, but also feasible and consistent with current scientific knowledge. All that being said, imagination still plays a huge role in determining the coloring of the animals and the design of the landscapes. The dinosaur imagery I create is a unique combination of science and imagination.


    What’s your favorite dinosaur, and why? I have to admit to having a real love/hate relationship with that question. I love the question because it always sparks great discussion – especially with young people – but I hate it because, for me, it’s so hard to answer. There are currently more than 1,000 valid genera of dinosaurs, and most of those have been described in only the past 15 – 20 years! So favorite for me changes constantly. But I will say this – I always end up rooting for the underdog. So the herbivores – especially the hadrosaurs – tend to be my favorites. Edmontosaurus isn’t a flashy dinosaur. It doesn’t have big teeth or horns or spikes. But its form and design had an elegance that I find fascinating and quite beautiful.


    What are some of your favorite online (or offline!) resources for people interested in finding out more about dinosaurs? There are a lot of dinosaur dictionary and encyclopedia sites. Websites like Prehistoric Wildlife and Dinopedia offer a convenient resource for finding out about your favorite dinosaur. But my favorites are the ones that focus on exciting news in the field of paleontology and dinosaurs in general.

    Earth Archives is a wonderful site that has lots of “breaking news” features and summaries of ground-breaking research that are presented without a lot of scientific jargon. Novataxa features the newest discoveries, not just of dinosaurs and other prehistoric animals, but of extant (living) animal discoveries as well.

    For off-line resources, The Princeton Field Guide to Dinosaurs by Gregory S. Paul, and Dinosaurs: The Most Complete, Up-to-date Encyclopedia for Dinosaur Lovers of All Ages by Thomas Holtz is packed with Luis Rey’s great dinosaur images. I also keep a regular list of resources on the Resources tab of my own website, so people can check there as well.



    What do you do when you’re not creating dinosaurs? I think about creating dinosaurs! It really is a bit of an obsession. In addition to my natural history art, I consult with non-profit organizations, specifically in Southeast Asian countries. My business background along with my passion for art and prehistory has provided me with an incredibly rich (I don’t mean that in the monetary sense) and varied life!


    What do you think will be the “next frontier” for dinosaur discoveries? Wow. That’s a great question and an exciting one to consider. New tools that are available to scientists are allowing us to look deeper into the microscopic details of fossils and discover aspects of dinosaur physiology we never dreamed we’d have access to. Recent discoveries of actual soft-tissue remains that have been preserved in amber, and the discovery that certain soft-tissue remains that can be coaxed from fossilized bones are providing answers to some of the most fundamental and perplexing questions about dinosaurs, such as their relationship to birds and whether they were warm blooded, cold blooded, or something else altogether. As an artist, the work being done to determine the coloration of some dinosaurs is really amazing. That work holds a lot of promise for developing ever-more accurate reconstructions of how these amazing animals looked.


    What are some of your favorite museums or exhibitions? It’s pretty tough to beat the American Museum of Natural History in New York. In fact, whenever I visit New York I stay right across the street from the museum so I can spend as much time there as possible! I also have a fondness for the Science Museum of Minnesota. Its dinosaur and prehistoric animal collection isn’t very well known, but it’s impressive (sporting the largest mounted Triceratops in the world!) It has a special place in my heart as my hometown science museum. It was key to developing and feeding my passion.





    Can you talk a little about some of your current projects and your recently published book
    This has been a fun year. I’ve had requests from several museums around the world to use my images to accompany their fossil displays. That’s been a huge honor. My artwork has also appeared in several publications, including major books by noted paleontologists. But certainly, the publication of “The Amazing World of Dinosaurs” by Adventure/Keen publications was the biggest kick. I was given the latitude to write the book I wanted to write – something that’s a rare gift in the publishing world. As a result, I was able to give voice to the things I feel the strongest about, including the importance of science education, the role of women in science and in paleontology in particular, and the amazing beauty and grace (in addition to the innate coolness) of dinosaurs.


    If money were no object, what would your “dream” dinosaur project be? I love collaboration with smart, knowledgeable, passionate people, so it’s great to partner with experts to create natural history imagery. I get excited when I’m requested to change an image to match up to a specific fossil discovery.  Adjusting my work to more accurately fit the science or the client’s ideal of what an animal should look or act like is when I get really pumped up about the process. If I can do that, and if the results further the science or inspire someone (and not only young people) to want to learn more about dinosaurs and ancient life, then I'm living my dream.


    Many thanks to Jim for sharing his thoughts with ExhibiTricks readers! You can find out more about his artwork by clicking over to his website.




    AND NOW FOR THE CONTEST! If you'd like a chance to win one of the two free autographed copies of Jim's book, 
    The Amazing World of Dinosaurs” that we'll be giving away, you can either subscribe to the ExhibiTricks blog by clicking on the link at the top right side of this webpage, OR send an email to me (Paul Orselli) with the subject "Dinosaur Book Contest" before January 31, 2017 to enter to win.

    We will be randomly choosing one winner from new subscribers and the other winner from the email entries on February 1, 2017.  Good luck!


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  • Museum/Exhibit/Design Toolkit: Dinosaur Duplicates!



    I'm just finishing up work on a fun dinosaurs exhibition for The Children's Museum in West Hartford, Connecticut.  While we've been lucky to get some real dinosaur and fossil materials from our creative partners to use, there are times that using cast or realistic replicas in an exhibition are the way to go.

    With that in mind, I thought I'd share some resources where I've purchased "dinosaur duplicates" for exhibitions (and in some cases, real fossil material as well.)

    Black Hills Institute
    Black Hills Institute of Geological Research Inc., has long been recognized as the world’s finest paleontological and earth science supply house. The Institute’s primary business is supplying professionally prepared fossils, fossil casts, and mineral specimens for research, teaching, and exhibitions.


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    Skulls Unlimited 
    Skulls Unlimited International is the granddaddy of commercial skull cleaning and processing dealers. They also sell high quality replicas in addition to their natural bone products.



    Dinosaur Resin Replica
    As the name implies, Dinosaur Resin Replica sells resin statues and models of dinosaurs of all shapes and sizes (including the raptor I'm pictured with at the top of this post!)  They sell statues and models of other types of animals as well.




    PaleoScene
    Glen at PaleoScene really does a great job creating museum-quality reproductions produced from original fossil specimens. Their catalog includes a variety of well-preserved and historically important specimens from several different geologic periods, as well as one of the largest selections of dinosaur and pre-dinosaur track casts available anywhere.  You can also purchase real fossils in bulk (great for simulated fossil dig exhibits!) from PaleoScene as well.



    Prehistoric Planet
    Prehistoric Planet bills itself as "The Museum where you can purchase every exhibit!"  Leaving that aside, the website does sell a wide range of items, including some hard-to-find cast replicas.



    I hope you find some good information and inspiration at the websites above. If you have some of your own suggestions for prehistoric paraphernalia purveyors that you've used for exhibits projects, let us know in the "Comments" section below!



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