Exhibit Resource List

The Great Big Museum Exhibit Resource List

The idea for this list started with Kathy Krafft as part of a conference presentation she gave several years ago. Shortly after, I offered to host the initial collection of sources on my website. Over time, the list expanded with my input and that of the late David Taylor, and was included in the "Handbook for Small Science Centers" book. Now, the Great Big Exhibit Resource List has become a way to keep track of "trusted sources" for museum exhibit designers, developers and fabricators, and is freely shared with colleagues. The GBER List continues to expand with input from museum "makers" from around the world. If you have additions, corrections, or comments, please send them to: paul@orselli.net and help this resource grow!

LOCAL SOURCES

1. Visit your local stores, and set up accounts; you may get contractor’s rates.

Check out plumbing and electrical and hardware and lumber and paint supply stores. Sometimes places like plumbing supply stores will let you behind the counters to look in their bins. Most stores are very supportive of local non-profit organizations, and enjoy the challenges of helping you when you are doing weird things in building exhibits.

2. Find out when it is quiet to get extra suggestions—not first thing in the morning when contractors are getting the parts they need for the day.

3. Never categorize or stereotype your stores—in exhibit fabrication you may well find what you need at strange, unexpected places. So visit, and see what is in stock at auto supply places (12 volt fans for your hand-powered generator, for instance) floor covering, fabric stores, office supply places, etc.

THE BIG THREE NATIONAL SOURCES

(If you don’t have these catalogs, get them! These suppliers have local branches throughout the country. Check the phone book or the website to locate your nearest outlet. Note: Addresses and telephone numbers often change! Use websites to confirm contact information.)

McMaster-Carr: www.mcmaster.com 3500 pages of hardware, plumbing (including clear PVC pipe and fittings), electrical, materials (metal, plastics, etc. delivered the next day usually. AMAZING collection.

Grainger: www.grainger.com

MSC: www.mscdirect.com

 

ASSISTIVE DEVICES

Enabling Devices: www.enablingdevices.com
385 Warburton Avenue
Hastings-on-Hudson, NY 10706
(800) 832-8697

Flaghouse: www.flaghouse.com
601 FlagHouse Drive
Hasbrouck Heights, NJ 07604
(800) 793-7900

Maxi-Aids: www.maxiaids.com
42 Executive Blvd.
Farmingdale, NY 11735
(800) 522-6294

Patterson Medical: www.sammonspreston.com
4 Sammons Court
Bolingbrook, IL 60440
(630) 226-1300

Special Needs Toys: www.specialneedstoys.com/usa/
4537 Gibsonia Road
Gibsonia, PA15044
(800) 467-6222

 

BOOK BINDING

Perma-Bound: www.perma-bound.com
617 E.Vandalia Road,
Jacksonville, Illinois 62650
(800) 637-6581

San Val Incorporated: www.sanval.com
895 Frisco Street
Steelville, MO 65565
(800) 325-4465

 

CHEMICALS AND LAB EQUIPMENT

Cole-Palmer: www.coleparmer.com
625 East Bunker Court
Vernon Hills, Illinois 60061
(800) 323-4340

Fisher: www.fisherscientific.com
Liberty Lane
Hampton, NH 03842
(603) 926-5911

Flinn Scientific: www.flinnsci.com
P.O. Box 219
Batavia, IL 60510
(800) 452-1261

Sargent-Welch: www.sargentwelch.com
P.O. Box 5229
Buffalo Grove, IL 60089
(800) 727-4368

Sigma-Aldrich: Unusual chemicals.

 

DIGITAL AUDIO AND VIDEO PLAYBACK DEVICES

BrightSign: Digital signage solutions
12980 Saratoga Ave., Ste. D
Saratoga, CA 95070
(408) 852-9263

Eletech Electronics: www.eletech.com
16025 Kaplan Avenue
City of Industry, CA 91744
(626)333-6394

Stop & Listen: www.stoplisten.com
7515 Flint Road S.E.
Calgary, Alberta CANADA T2H 1G3
(800) 387-2365

Technovision - Custom sensors and controllers. www.technovision.com
933 Canada Ct.
City of Industry, CA 91748
(626) 839-1488

 

DIGITAL IMAGES AND PRINTING

Beyond Digital Print: www.beyonddigitalprint.com
6401 E. Rogers Circle
Boca Raton, FL
(561) 922-5250

Can Stock Photography: www.canstockphoto.com

Corbis: www.Corbis.com

Display Creatives: Pop-Up Displays and printing. www.displaycreatives.com
888-760-1612

Fotosearch Stock Photography: www.fotosearch.com
21155 Watertown Road
Waukesha, WI 53186
(262) 717-0740 (800)827-3920
(Also check out the sister site, www.gograph.com)

Getty Images: www.Gettyimages.com

MegaPrint: Large format print specialists www.megaprint.com
800-590-7850

MorgueFile: www.morguefile.com Free images for your use in your creative work.

MVP Visuals: www.mvpvisuals.com
Suppliers of high-impact visuals and custom branded displays.

The Public Domain Project: www.pond5.com free Completely free public domain images and videos

Stella Color: www.stellacolor.com Sustainable Printing Solutions

Stockphoto.com: www.istockphoto.com

Shutterstock: www.shutterstock.com

Walsworth Printing and Publishing: www.walsworth.com
Printers of custom books and periodicals.

 

EDUCATIONAL AND CLASSROOM SUPPLIERS

(Visit your local schools- they have lots of catalogs!)

Acorn Naturalists: www.acornnaturalists.com
Good source of animal footprints and casts, plus lots of other biology and botany stuff.

Childcraft: www.childcrafteducation.com
P.O. Box 3239
Lancaster, PA 17604
(800) 631-5652

Creative Health Products: www.chponline.com Weight scales, other health products.
5148 Saddle Ridge Road
Plymouth, MI 48170
(800) 742-4478

Discount School Supply www.discountschoolsupply.com

Educational Innovations: www.teachersource.com
362 Main Avenue
Norwalk, CT 06851
(203) 229-0730

Edmund Scientific: www.scientificsonline.com Magnets, polarizing sheet, all kinds of science stuff.

Edmund Industrial Optics: www.edmundoptics.com lenses, optical parts.

ETA/Cuisenaire: www.etacuisenaire.com Math manipulatives, posters.
500 Greenview Court
Vernon Hills, IL 60061
(800) 875-9643

Haba: www.habausa.com

Health Edco: www.healthedco.com

Lakeshore: www.lakeshorelearning.com Early childhood materials.

Skulls Unlimited: www.skullsunlimited.com All things bone related.
10313 South Sunnylane
Oklahoma City, OK 73160
(800) 659-7585 (SKULL)

Woodworks Ltd: www.craftparts.com
4521 Anderson Blvd.
Fort Worth, TX 76117
(817) 581-5230

 

ELECTRONICS

Adafruit Industries: www.adafruit.com
80 Nassau Street, #4C
New York, NY 10038
(646) 248-7882

Allied: www.alliedelec.com
7410 Pebble Drive
Fort Worth, Texas 76118

Anatek: www.anatekcorp.com Video and TV related electronics.
P.O. Box 1200
100 Merrimack Road
Amherst, NH 03031
(603)673-4342

BG Micro: www.bgmicro.com
3024 Lincoln Ct
Garland, Texas 75041
(800) 276-2206

Digi-key: www.digikey.com
River Falls, MN 56

Happ Controls: www.happcontrols.com Pushbuttons, pinball accessories, etc.
106 Garlisch Drive
Elk Grove, IL 60007
(888) BUY-HAPP

Hosfelt Electronics: www.hosfelt.com
2700 Sunset Blvd.
Steubenville, OH 43952
(888) 264-6464

Jameco: www.jameco.com
1355 Shoreway Road
Belmont, CA 94002
(800) 831-4242

MakerSHED: www.makershed.com DIY Kits + Tools + Books + Fun from the MAKE Magazine folks

Markertek: www.markertek.com Cameras, cables, tools, audio equipment.
Great source for video production equipment and unusual stuff.
812 Kings Highway PO Box 397
Saugerties, New York 12477
(800) 522-2025

Mouser: www.mouser.com
1000 North Main Street
Mansfield, Texas 76063
(800) 346-6873

Newark: www.newark.com
4801 N. Ravenswood
Chicago, IL 60640-4496
(773) 784-5100

Radio Shack: www.radioshack.com

Ramsey Electronics: www.ramseyelectronics.com
Good source of electronics kits that can be turned into exhibits.
590 Fishers Station Dr.
Victor, NY 14564
(800) 446-2295

Solid State Advanced Controls: www.ssac.com
Sometimes the only source for hard-to find electronic timers and other modules that do switching, current measuring, etc. generally for 120VAC circuits.

SparkFun Electronics: www.sparkfun.com
6175 Longbow Drive
Suite 200
Boulder, CO 80301
(303) 284-0979

String Pots: www.stringpot.com
String Potentiometers = Potentiometer + Spring-Loaded Pulley.

Supercircuits: www.supercircuits.com Video and security equipment.
One Supercircuits Plaza
Liberty Hill, Texas 78642

Tapeswitch: www.tapeswitch.com
100 Schmitt Boulevard
Farmingdale, NY 11735
(631) 630-0442

 

EXHIBIT RENDERING TOOLS

SketchUp: www.sketchup.com Excellent free rendering program.

 

EXTRUSIONS

80/20 Inc: www.8020.net "The Industrial Erector Set"
1701 South 400 East
Columbia City, IN 46725
(260) 248-8030

FlexPVC: www.flexpvc.com Amazing array of PVC shapes and fittings.
1-888-PVC-FLEX

MayTec: www.maytecinc.com
901 Wesemann Drive
West Dundee, IL 60118
(847) 429-0321

MicroRAX: www.microrax.com Miniature extruded aluminum t-slot framing
Twintec, Inc.
1510 Boundary Blvd., Suite 100
Auburn, WA 98001
(800) 979-9645

Octanorm: www.octanormusa.com
701 Interstate West Parkway
Lithia Springs, GA 30122
(800) 995-2995

Parker’s Industrial Profile Systems: https://bit.ly/e8RBYm
6035 Parkland Blvd.
Cleveland, OH 44124
(216) 896-3000

 

FAKE FOODS

Fake-Foods.com: www.fake-foods.com
204 North El Camino Real, #432
Encinitas, CA 92024

Hubert: www.hubert.com Display supplies.

Incredible Inedibles: www.incredibleinedibles.net

Iwasaki Images: www.iwasaki-images.com
630 Maple Ave.
Torrance, CA 90503
(800) 323-9921

Forbex: www.forbex.com Fake grass.

(Childcraft also sells inexpensive collections of fake foods.)

 

FIBERGLASS AND MOLDMAKING

Aircraft Spruce & Specialty: www.aircraft-spruce.com
Fiberglass supplies, Kevlar, aviation instruments, the entire world of aviation fasteners.
1-877-4-SPRUCE

Fiberglass Coatings: www.fgci.com (in St. Petersburg, FL) A great source for
fiberglassing supplies, casting resins, and knowledge.

3201 28th Street N.
St. Petersburg, FL 33713
(727) 327-8117

Fibre Glast: www.fibreglast.com
95 Mosier Pkwy Brookville, OH 45309
800-330-6368

Polytek: www.polytek.com Rubber moldmaking supplies, casting materials.

 

FLOORING

Gerbert Limited: www.gerbertltd.com Recycled flooring materials.

715 Fountain Ave.
P.O. Box 4944
Lancaster, PA 17604-4944
(800) 828-9461

Lees Carpets: www.leescarpets.com Many sustainable flooring choices. NeoFloor is especially good for children’s areas.

500 TownPark Lane
Suite #400
Kennesaw, GA 30144
(800) 523-5647

Pirelli Flooring: www.artigo.com Interesting flooring products.

 

FRAMING AND MOUNTING MATERIALS

Get Smart Products: www.pfile.com
Super cheap frames!

IKEA: www.ikea.com
It’s hard to find more attractive and inexpensive frames than those from IKEA.

Light Impressions: www.lightimpressionsdirect.com
P.O. Box 787
Brea, CA 92822
(800) 828-6216

Pictureframes.com: www.pictureframes.com
2103 Brentwood Street
High Point, NC 27263
(800) 332-8884

 

FURNITURE

ATD-AMERICAN: www.atd.com
135 Greenwood Ave.
Wyncote, PA 19095
(215) 576-1000

Community Playthings: www.communityplaythings.com
PO Box 2
Ulster Park NY 12487
(800) 777-4244

DEMCO: www.demco.com
P.O. Box 7488
Madison, WI 53707
(800) 962-4463

Gaylord Library Supplies: www.gaylord.com
Kid-sized furniture.
(800) 448-6160

Mockett: www.mockett.com
Hardware, pulls, wire grommets.

Smith System: www.smithsystem.com
PO Box 860415
Plano, Texas 75086
(800) 328-1061

Worthington Direct: www.worthingtondirect.com
6301 Gaston Ave., Suite 670
Dallas, TX 75214
(800) 599-6636

 

GEARS, CLUTCHES, SHAFTS

Atlanta Belting: www.atlbelt.com Conveyor belt-- smooth, textured.

Boston Gear: www.bostongear.com
14 Hayward Street
Quincy, MA 02171
(888) 999-9860

Emerson/Morse/Browning: www.emerson-ept.com
WM Berg: www.wmberg.com
499 Ocean Avenue
East Rockaway, NY 11518
(800)232-BERG

 

GLOW-IN-THE-DARK STUFF

ABET Laminati: www.abetlaminati.com Lumiphos laminate material.

Educational Innovations: www.teachersource.com Check out their glow-in-the-dark pigments.
362 Main Avenue
Norwalk, CT 06851
(203) 229-0730

Flinn Scientific: www.flinnsci.com Small sheets and paint.
P.O. Box 219
Batavia, IL 60510
(800) 452-1261

Glow Inc: www.glowinc.com

Hanovia: www.hanovia-uv.com
6 Evans Street
Fairfield, NJ 07083
(973) 651-5510

Jessup Manufacturing: www.globritesystem.com
2815 West Route 120
McHenry, IL 60051
(815) 385-6650

Shannon Luminous Materials: www.blacklite.com
304 A North Townsend
Santa Ana, CA 92703
(800) 543-4485

 

GRAVITY WELLS

Divnik International: www.SpiralWishingWells.com
321 Alexandersville Road
Miamisburg, Ohio 45342
(937) 384-0003

 

GREEN EXHIBITS MATERIALS

Build it Green: www.builditgreen.org

Environmental Home Store: www.environmentalhomestore.com
The Environmental Home Store
550 Carpenter Lane at Greene Street
Philadelphia, PA 19119
(215) 844-GREEN

Green Exhibits: www.greenexhibits.org

Center for Neighborhood Technology, Green building resources:
www.building.cnt.org

Yemm & Hart: www.yemmhart.com Recycled building materials.
1417 Madison
Marquand, MO 63655
(573) 783-5434

 

HARDWARE AND TOOLS

Ballew Saw and Tool: www.ballewsawandtool.com Sharpens saw blades, sells blades and bits.
325 S. Kimbrough
Springfield, MO 65806
(800) 288-7483

Carbide.com: www.carbide.com Router bits, etc.

Cherry Tree: www.cherrytree-online.com Wood balls, parts.
408 S Jefferson Street
Belmont, OH 43718
(800) 848-4363

Citimarine: www.citimarinestore.com Marine accessories and hardware.
3300 NW 112th Ave, #4
Doral, FL 33172
(800) 766-5256

Enco Tools: www.use-enco.com Tools, general selection & large tools.

Fastenal: www.fastenal.com Industrial and construction supplies.
2001 Theurer Blvd.
Winona, Minnesota 55987
(507) 454-5374

FastCap: www.fastcap.com Check out "speed tape".

Grizzly: www.grizzly.com Large and small tools, bits, supplies, wood samples.

Hafele: www.hafele.com
Huge assortment of hardware for furniture making.

Harbor Freight: www.harborfreight.com
Inexpensive tools ,variable quality on some brands.

JC Whitney: www.jcwhitney.com Automotive supplies.

Klingspor: www.klingspor.com
Woodworking: sandpaper in bulk (belts, drums, disks, sheets.)

Lee Valley: www.leevalley.com Woodworking tools, also cheap source for small neodymium magnets.
P.O. Box 1780
Ogdensburg, NY 13669
(800) 871-8158

Lehman’s: www.lehmans.com Old time tools, blacksmithing supplies.
One Lehman Circle
P.O. Box 321
Kidron, OH 44636
(888) 438-5346

Marv-O-Lus Manufacturing: www.marvolus.com
220 North Washtenaw Avenue
Chicago, IL 60612-2014
(888) 840-4311

Northern Tools: www.NorthernTool.com
2800 Southcross Drive West
Burnsville, Minnesota 55306
(800) 221-0516

Roberts Plywood: www.roberts-plywood.com Curved plywood, large wooden tubes.

Southco: www.southco.com Latches, cabinet hardware.

Tool Parts Direct: www.toolpartsdirect.com Parts for tools- with diagrams for identifying the part!
6620 F Street
Omaha, NE 68117
(866) 597-3850

West Marine: www.westmarine.com Marine supplies.

Woodcraft: www.woodcraft.com Tools and supplies.
(800) 535-4482

Woodworker's Supply: www.woodworker.com

 

LIGHTING AND LIGHTS

Bulbs.com: www.bulbs.com
40 Jackson Street
Worcester, MA 01608
(888) 455-2800

Bulbman: www.bulbman.com

Interlight: www.interlight.biz
7939 New Jersey Avenue
Hammond, IN 46323
(800) 743-0005

Topbulb: www.topbulb.com
5204 Indianapolis Boulevard
East Chicago, IN 46312
(866) TOP-BULB

UV SYSTEMS: www.uvsystems.com A great source for UV lighting and components.
16605 127th Avenue SE
Renton, WA 98058-5549
(425)228-9988

 

MAGNETS

Adams Magnetic: www.adamsmagnetic.com

Kling Magnetics: www.kling.com Magnetic Paint.
343 Rt. 295 - PO Box 348
Chatham, NY 12037
(518) 392-4000

Force Field: www.wondermagnet.com
2606 West Vine Dr.
Fort Collins, CO 80521
(877) 944-6247

 

METALS

McNichols: www.mcnichols.com Perforated sheet metal, steel grating.
5505 West Gray Street
Tampa, FL 33609-1007
(813) 282-3828 x 2100

Murphy-Nolan: www.murphynolan.com

OnlineMetals.com: www.onlinemetals.com Stocks and sells a variety of metals; including small orders
1138 W. Ewing Street
Seattle, WA 98119
(800) 704-2157

 

MISCELLANEOUS

Archie McPhee / Accoutrements: www.mcphee.com Wacky products!
2428 NW Market Street
Seattle, WA 98107
(206) 297-0240

Bry-Tech Distributors: www.bry-tech.com Upholstery Materials & Supplies
1143 Haines Street
Jacksonville, FL 32206
(800) 329-7283

Company Folders, Inc. www.companyfolders.com Folders and Presentation Materials
3297 Orchard Lake Rd, Suite 203
Keego Harbor, Michigan 48320
(248) 738-7600

Displays 2 Go: www.displays2go.com Small sign holders, stands, displays.
55 Broad Common Road
Bristol, RI 02809
(800) 572-2194

Engineered Etchings: www.engineeredetchings.com Etched granite and marble plaques and displays
Cookeville, Tennessee 38506
(931) 267-1542

Ecospheres: www.eco-sphere.com Self-contained ecosystem spheres.
4421 N. Romero Rd
Tucson, Arizona 85705
(800) 729-9870

Fake Earth: www.polypavement.com

Freund Cans: www.freundcontainer.com Containers of all sorts.
11535 S. Central Avenue
Alsip, IL 60803
(800)363-9822

Hobby Express: www.hobbyexpress.com

Hobby People: www.hobbypeople.net Small motors, controllers for models.

JML Direct Optics: www.jmloptical.com Parabolic mirrors.
76 Fernwood Ave.
Rochester, NY 14621
(585) 342-8900

Just Plastic Boxes: www.justplasticboxes.com Plastic boxes of all types.
2535 Bing Miller Lane
Urbana, IA 52345
800-736-0651

Library of Congress: American Environmental Photographs
www.memory.loc.gov

LED Light Stick Art: www.subliminaryartworks.com
Bill Bell
139 Davis Ave
Brookline MA 02445
(617) 277-4719
billbell@subliminaryartworks.com

M. Jacobs & Sons www.mjacobandsons.com All sorts of bottles and jars.
31700 Middlebelt Rd., Suite 165
Farmington Hills, MI 48334
(248) 737-9440

Oriental Trading Company: www.orientaltrading.com Cheap multiples. Craft and party items.

PilotVials.com www.Pilotvials.com Clear and amber glass vials, plastic jars for all your packaging needs.
2965 Valley Vista Drive
Sedona, AZ 86351
(928) 254-0533

Radiant Manufacturing www.radiantmfg.com Giant Sequins and "flutter discs" for Air Cannon exhibits.
(877) 787-8880

Rhode Island Novelty: www.rinovelty.com
19 Industrial Lane
Johnston, RI 02919
(800) 528-5599

Sand & Solutions: www.waupacasand.com
Rubber mulch. (For clean “sandboxes” and playgrounds.)
(715) 258-8566

Scent Machines: www.scentair.com

Stella Color: www.stellacolor.com Images on carpet; interesting mural wallpaper.

Strapworks: www.strapworks.com
All kinds of webbing, strapping ropes, etc.
3170 Elmira Rd.
Eugene, OR 97402
(541) 741-0658

Toysmith: www.toysmith.com

Ultrasonic Mistmakers/Fog Makers: www.mainlandmart.com
MainlandMart.com
2535 Durfee Ave.
El Monte, CA 91732
(626) 258-2928

U.S. Government Surplus: www.usa.gov/state-surplus-sales
Surplus sales by State.

 

PLASTICS

AIN Plastics: www.ainplastics.com

Curbell Plastic: www.curbell.com
7 Cobham Drive
Orchard Park, NY 14127
(716) 667-3377

Outwater Plastics: www.outwater.com
Weird architectural stuff, tee molding in all sizes and shapes and colors, etc.
4 Passaic Street, Wood-Ridge, N.J. 07075
1-888-OUTWATER (688-9283)

shopPOPdisplays: www.shopPOPdisplays.com
Speciality acrylic boxes (including 5-sided boxes) and POP display materials.
1-888-342-2513

United States Plastic: www.usplastic.com
Lots of plumbing parts, tubing.
1390 Neubrecht Rd.
Lima, Ohio 45801-3196
1-800-809-4217

 

SAFETY RESOURCES AND MATERIALS

MSDS on line: www.msdssearch.com

Arts, Crafts & Theater Safety: www.artscraftstheatersafety.org

 

SCIENCE MATERIALS SUPPLIERS

Acorn Naturalists: www.acornnaturalists.com
Good source of animal footprints and casts, plus lots of other biology and botany stuff.

American 3B Scientific: www.a3bs.com
2189 Flintstone Drive, Unit O
Tucker, GA 30084
(770) 492-9111

Arbor Scientific: www.arborsci.com
PO Box 2750
Ann Arbor, MI 48106
(800) 367-6695

Ben Meadows: www.benmeadows.com Forestry/Outdoors supplies, surveying equipment
P.O. Box 5277
Janesville WI USA 53547
(800) 241-6401

C&A Scientific: www.cnascientific.com
7241 Gabe Court
Manassas, VA 20109
(703) 330-1413

Carolina Biological: www.carolina.com Microscope slides, fruit flies and
other critters, lots more.

Copernicus Toys: www.copernicustoys.com
1012 C Druid Ave
Charlottesville VA 22902
(800) 424-3950

Kelvin Scientific: www.kelvin.com
280 Adams Blvd.
Farmingdale, NY 11735
(800) 535-8469

NASCO: www.enasco.com A site for multiple supply catalogs.

PASCO: www.pasco.com Excellent physics supplies and materials.
10101 Foothills Blvd.
Roseville, CA 95747
(800) 772-8700

Pitsco: www.pitsco.com Kits, meters, etc.
915 E. Jefferson
P.O. Box 1708
Pittsburg, KS 66762
(800) 835-0686

Science Kit & Boreal Laboratories: www.sciencekit.com

SEIDAM: www.seidam.com
Kelvin Building
University of Glasgow
University Avenue
Glasgow, SCOTLAND
G12 8QQ
+44 (0)141 330 2047

Steve Spangler Science: www.stevespanglerscience.com
4400 South Federal Blvd
Englewood, CO 80110
(800) 223-9080

Ward’s Natural Science: www.wardsci.com
PO Box 92912
Rochester, NY 14692
(800) 962-2660

 

SCROLLING IMAGE SIGNS AND LIGHTBOXES

Bowman Displays: www.bowmandisplays.com
648 Progress Avenue
Munster, IN 46321
(800) 922-9250

Dick Blick: www.dickblick.com
P.O. Box 1267
Galesburg, IL 61402
(800) 828-4548

Warwick Products Company: www.warwickproducts.com Store fixtures, displays.

 

SURPLUS SUPPLIERS

American Science and Surplus: www.sciplus.com Weird collection of small parts.
P.O. Box 1030
Skokie, IL 60076
(847) 647-0011

Herbach and Rademan (H&R): www.herbach.com Cheap motors, blowers, power supplies etc.
353 Crider Avenue
Moorestown, NJ 08057
(800) 848-8001

Retail Closeout Mall: www.retailcloseoutmall.com
11632 Frankstown Road #310
Pittsburgh, PA 15235
(412)734-5849

Surplus Shed: www.surplusshed.com
1050 Maidencreek Road
Fleetwood, PA 19522
(877) 7-SURPLUS

 

THEATRICAL SUPPLIES/FABRICS

Ahh.biz: www.ahh.biz Specialized Textile Outfitters.
American Home & Habitat
Route 4, Box 86
Squires, MO 65755
(417) 683-1838

Dazian Fabrics: www.dazian.com Theatrical and Outdoor Fabrics

Fred Krieger Fabrics: www.fredkriegerfabrics.com
420 Jericho Turnpike
Jericho, NY 11753
(800) 892-8142
Pro Sound & Stage Lighting: www.pssl.com Audio, video, party lights.
11070 Valley View Street
Cypress, CA. 90630
1-800-268-5520

Rosco: www.rosco.com Specialized lighting fixtures and gels (colored mylar sheets), hardware.

Rose Brand: www.rosebrand.com Theatrical Supplies

Sam Ash: www.samash.com Musical Instruments, Sound equipment.
(800) 4-SAMASH

Seattle Fabrics: www.seattlefabrics.com Theatrical and Outdoor Fabrics
Seattle, WA. 98103
(206) 525-0670

Sew What?: www.sewwhatinc.com Custom-sewn theatrical drapes and fabrics
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ExhibiTricks blog

  • Discovering the Power of Podcasting at Museums: A Guest Post by Hannah Hethmon



    Hannah Hethmon is an independent museum consultant specializing in podcasts, social media, and other digital communication tools. She is the producer and host of Museums in Strange Places, an award-winning podcast about exploring the world through it’s the museums, and the author of Your Museum Needs a Podcast: A Step-By-Step Guide to Podcasting for Museums, History Organizations, and Cultural Nonprofits. She recently completed a Fulbright Fellowship in Iceland, and currently lives in Warsaw, Poland.



    Discovering the Power of Podcasting at Museums



    Having just released a whole book dedicated to teaching museums, history organizations, and cultural nonprofits how to produce their own podcast in-house, I wanted to step back in this post and share my journey from casual podcast listener to museum podcast advocate. It was during this evolution that I saw how perfectly the medium of podcasting suits the needs of museums and how podcasts can help us in the ongoing effort to go from walled-off elite institutions to permeable community structures.


    My own podcasting journey started when I accepted a Fulbright Fellowship to spend nine-months in Iceland studying the Icelandic language and researching Icelandic museums. I had been working at the American Association for State and Local History, and in my capacity as Marketing Coordinator, I was constantly thinking about ways to connect with AASLH members digitally and how the engagement techniques I was learning and testing could be used by our member institutions to expand their mission beyond their physical space.




    As I thought about how I would begin my investigation of Icelandic museum culture, I decided it would be practical to buy a recorder so I could easily transcribe my conversations later. It was only a short mental hop from there to completely discarding the idea of formal research; instead, I would start a podcast that explored the museums of Iceland through interviews and storytelling. Though I didn’t realize it just yet, I would be collecting and interpreting the museums of Iceland, rather like they were doing with their own communities and areas of focus.


    By the end of my time in Iceland, I had recorded episodes at twenty-one Icelandic museums for Museums in Strange Places. The most powerful stories I recorded were the stories of how these unique institutions were founded and the passionate people who made them a reality. I found the same when I recorded at twenty-two museums in Maryland for Season 2 of the podcast (coming late 2018). It’s not that these museums aren’t producing excellent exhibits and programs and tours; it’s that we, as a field, are not fully communicating to the public the incredible passion, dedication, and expertise that goes into even the smallest museum.




    When I visit museums to record, I can capture intimate portraits of a museum at work. I usually interview a high-level staff member, and they don’t just share what is on the walls. For example, when I visited the National Museum of Civil War Medicine in Frederick, Maryland, I got to speak with Katie Reichard, their Director of Programming. One moment really stood out to me: we were talking about their display on women who had secretly enlisted in the Civil War. The main panel speaks about one individual who was born with female anatomy but began dressing and presenting themselves as a boy/man in their early teens. It was only when they were sent to a nursing home in their old age that they were “discovered” to be a “woman” and forced to dress accordingly.


    Katie talked to me about the challenge of interpreting queer people in the past. In this conversation (and others), Katie’s passion for her work and the museum’s mission was unmistakable. The relevance of this discussion combined with Katie’s nuanced approach is the kind of interaction that turns a casual visitor like me into a person who really believes in the work of an institution. I think about the people Katie described to me and the museum’s efforts to tell their stories all the time. My experience at the museum deeply impacted the way I think about the Civil War and war in general, honestly.


    This has happened countless times. I visit a museum for the first time to record, thinking it seems interesting, but with no deeper attachment; I leave filled with excitement for the museum’s work and a deep affection for the institution. This is the result of intimate, relevant, one-on-one engagement with passionate museum people. It’s nearly impossible to get this experience from a visit that doesn’t provide this kind of intimate human connection.




    But it’s also nearly impossible to provide that to every visitor, no matter how much money a museum can commit to the endeavor. This is where podcasting comes in. Podcasts offer the opportunity to speak directly to an individual, on their own time. Podcasts are intimate. Regular listeners to podcasts talk frequently about the emotional connection they form with the hosts of their favorite shows. Often, podcasts are what keeps them company on long drives, during the workday, and whenever else they have access to a computer or smartphone, which these days is basically always. And when I say always....well, my husband and I fall asleep listening to podcasts every night and then get up and listen when we leave the house in the morning.


    I’ve come to truly believe that the medium of podcasting can open up incredible doors to the kind of intimate, one-on-one engagement that converts visitors to devoted fans. And, as I’ve spelled out in my new book, podcasts can be done with a lot of money and a little time OR a little money and a lot of time. So there is room for budgets of all sizes to start telling their best stories this way. I think what’s stopping a lot of institutions from starting their own podcast is a sense that this requires certain skills they don’t have or that it’s very expensive. There’s also almost no museums-specific information available that explains in detail how to start a podcast. My goal in writing Your Museum Needs a Podcast was to solve this problem, and based on early feedback, I think I’ve delivered on that goal.


    I hope to see more museums start making great podcasts. In my dream world, everyday listeners would look to museums for great podcasts, knowing that we are the keepers of some of the world’s best stories and that we’re staffed with the right people to tell those stories.





    Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

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  • Walking the Walk: Impressions of the #ASTC2018 Conference




    The 2018 Association of Science-Technology Centers (ASTC) Conference in Hartford, Connecticut felt like an opportunity for the International Science Center Community to really "walk the walk" on a variety of topics and concerns facing museums and their communities.

    Issues of Inclusion, Diversity, and Equity were front and center during the conference, starting with the excellent opening keynote by noted science journalist Ed Yong.  (Check the talk out embedded below or via YouTube.) Yong shared his own struggles with equal representation of male and female scientists in his articles and books and then moved to broader intersectional topics of interest to museum workers and cultural institutions.  I urge you to take the time to watch Ed Yong's presentation.




    Similar diversity/equity/inclusion topics were presented during a number of sessions during the conference as well.  I attended an excellent session entitled "Creating a Culture of Gender Equity" that included five female practitioners sharing their own experiences and then offering suggestions for ways to create a safer and more inclusive environment in cultural institutions.

    Another welcome addition to this year's conference was a stronger presence by the ASTC Diversity and Leadership Development Fellows and Alumni, both in numerous sessions and in public roles as the emcees of plenary sessions, for example. In October 2001, ASTC’s Board launched a field-wide Equity and Diversity Initiative to attempt to bring balance in the disparity between the diversity of our society and the diversity of professional staff, audience, and board members of the science center field. The primary activity for addressing this disparity is the ASTC Diversity and Leadership Development Fellows Program, originally designed to support the professional growth and retention of professionals of color currently working in the field. 

    2018 ASTC Diversity and Leadership Development Fellows


    Of course, it wouldn't be an ASTC Conference if there weren't some opportunities for hands-on science activities! This year's conference featured an excellent Pop-Up Maker's Space (#MakerSpaceASTC) that was assembled on-site in the Exhibit Hall by members of the ASTC Making and Tinkering CoP (Community of Practice). #MakerSpaceASTC was filled with free-form activities, comfortable seating areas and stations to solder, laser cut, and 3D Print! Kudos to all involved in what I hope becomes an annual feature at the ASTC Conference!





    Per usual during an ASTC Conference, there were also lots of fun opportunities for socializing and networking.  Andy Lloyd from the Centre for Life in the UK hosted an all-star roster of Science Center performers for a rollicking (one could say almost "hypnotic") evening of "Stand-Up Science"





    One of my other favorite ASTC Conference moments (based on my #ASTC2018 Twitter feed at least) was a very quotable (and actionable) session entitled Identifying the Creativity Involved in Managing a Creative Team.” In addition to the quotes I live-tweeted from the session (shown below) the panelists called out two books for creatives and managers -- "The Checklist Manifesto" and "Creativity, Inc."




    This ExhibiTricks blog post only scratches the surface of #ASTC2018 so I would suggest clicking over to ASTC's Blog Page, Main Conference Page, or YouTube site for even more glimpses of what went on in Hartford. Our hosts at The Connecticut Science Center as well as the entire ASTC leadership team and staff should be extremely proud of putting together such a well-executed conference and one that truly "walked the walk" not just "talked the talk"!

    I'm a little wistful that I will be leaving the ASTC Conference Program Planning Committee after a six-year term, but I know my colleagues who are continuing on with the CPPC are already planning #ASTC2019 in Toronto!

    The 2019 Conference promises to be spectacular since 2019 marks the 50th anniversary of the opening of two influential science centers, The Exploratorium in San Francisco, and The Ontario Science Centre, which will serve as our host in Toronto. Appropriately, considering the first Moon landing also happened in 1969, the theme of #ASTC2019 will orbit around the notion of moonshots -- ambitious, yet achievable, goals that leverage science and technology to solve difficult problems.  You can get a sneak peak of the call for proposals by clicking here.




    Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

    P.S. If you receive ExhibiTricks via email (or Facebook or LinkedIn) you will need to click HERE to go to the main ExhibiTricks page to make comments or view multimedia features (like videos!)
  • Building Your Museum's Internal Capacity Through Workshops



    Over the past few years, a big part of my consulting practice has involved presenting workshops to help museums and museum-oriented companies build up their internal capacity to develop and design exhibitions and programs.

    In just the past year or two, I've been fortunate to give workshops to colleagues around the world in Beijing at the ICOM International Training Center at The Palace Museum, in Tunisia on behalf of the U.S. State Department, in Germany with Huttinger, one of Europe's largest exhibit fabrication companies, and most recently in Detroit for an all-day exhibits workshop for the Michigan Museums Association.

    Here are 4 positive outcomes toward building internal capacity (with links to related ExhibiTricks posts) that consistently come out of POW! workshops for participants:


    1) Focus on BIG IDEAS  Focusing on your core ideas -- whether for a single exhibit component or for an entire museum program is essential.  The process of building an exhibit or program doesn't become clearer if you start with a bunch of fuzzy ideas.




    2) An Appreciation for Iteration Try, try again!  Prototyping ideas quickly with simple materials then adjusting based on feedback is a great technique to bring into every project.




    3) Stronger connections to clients and communities When you bring focused, tested messages outside your museum it is easier to find the places for strong, authentic connections between creative partners.



    4) Adding to your professional toolbox  Every workshop includes simple techniques and tips that workshop participants can use right away in their museum or company.



    The concentrated experience of the workshop setting really brings people together in a fun and focused way -- without the myriad distractions of their normal workplace.

    Send me an email so we can talk about bringing a POW! workshop to your museum or company!




    Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

    P.S. If you receive ExhibiTricks via email (or Facebook or LinkedIn) you will need to click HERE to go to the main ExhibiTricks page to make comments or view multimedia features (like videos!)
  • Which Books Would You Recommend to An Emerging Museum Professional?


    A colleague recently emailed me to ask about book suggestions for a newcomer to the museum field.

    After I sent off the list, it occurred to me that not only did I find all of the books on the list excellent references, but that I had also written blog posts about each one!

    So please find below a list of books that I would recommend to any museum professional (emerging or veteran!) If you click the title of the book, it will bring you to the related ExhibiTricks post or interview, and there is a link to purchase each book after the accompanying short descriptive blurb. 

    Happy reading!

    RECOMMENDED BOOKS FOR MUSEUM PROFESSIONALS


    "Steal Like An Artist” by Austin Kleon 

    Some books just leap out at you and make you read them. "Steal Like An Artist" by Austin Kleon has been one of those kinds of books for me --- packed with ideas, quotes, and anecdotes that really resonate with me and my creative practice.

    [Purchase the book here.]




    Inside this pithy volume, Weinschenk gives 100 examples of the psychology of design and why some design choices work better than others.

    Dividing her 100 examples into thematic sections such as "How People See" and "How People Remember" the author not only provides illustrated examples of design approaches but provides links to research, websites, and online talks that let you explore specific design topics in more depth.

    [Purchase the book here.]  




    The "Creating Exhibitions" book is a "must buy" for any museum professional involved in designing or developing exhibits.

    [Purchase the book here.]




    "Of course, there's a more personal reason I started the Museum 2.0 blog. I'm a free choice learner. I didn't want to go to graduate school, but I did want to pursue my own education in museums and learn enough to have something to say to some of the really smart people I was meeting at conferences. The blog really started as a personal learning device. It continues to be that for me, but now there are more co-learners involved."

    [Purchase the books here and here. You can also read the books online here and here.]




    In Margaret Kadoyama’s vision, cultural organizations are vital members of their communities and are actively involved in community revitalization.  Margaret works collaboratively with museums and cultural organizations to create strategic community involvement and audience development plans, assess programs, and plan for sustainability.

    [Purchase the book here.]




    "The first edition of Exhibit Labels was a follow-up on my book published by the Association for State and Local History (AASLH) called “Making Exhibit Labels: A Step-by-Step Approach.” I wrote that in 1983, before I’d ever done much work on exhibition planning and design, although I had a background in museum education.

    I had a master’s degree in science teaching in non-school settings, and I’d worked as the curator of education at the Shedd Aquarium for eight years. I was in charge of programs, not exhibits. I kept pushing for more interpretive stories in the labels of the Shedd’s galleries, but that wasn’t my job."

    [Purchase the book here.]




    "Fostering Active Prolonged Engagement" is a book about an NSF-funded project at the Exploratorium that digs deeply into how exhibit components can foster "APE behavior." (APE is the acronym for Active Prolonged Engagement.)  Namely, how can exhibits be developed (or in many cases, re-designed) to allow visitors to take active roles in creating their own experiences in ways that compel them to spend longer periods of time at the exhibits?

    [Purchase the book here.]




    Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

    P.S. If you receive ExhibiTricks via email (or Facebook or LinkedIn) you will need to click HERE to go to the main ExhibiTricks page to make comments or view multimedia features (like videos!)
  • Why We Work; Messy and Collaborative Exhibition Development



    Beth Maloney is the Director of Interpretation at the Baltimore Museum of Industry and an Instructor with the Program in Museums and Society at Johns Hopkins University. Beth is Past-President of the Museum Education Roundtable, Former guest editor for the Journal of Museum Education and a Mentor with AAM’s EdMEM programMore information about her work can be found at www.bethmaloney.com

    Beth was kind enough to share her thoughts about the development of the recent Why We Work exhibition with ExhibiTricks readers.


    Why We Work

    In my job at the Baltimore Museum of Industry, I look for ways to build visitor interaction and engagement. As an instructor with the Johns Hopkins University Program in Museums and Society, I teach courses that bring students into museum work. During the fall of 2017, I embarked on what seemed like an ambitious but straightforward plan – to teach a class about interactive spaces and then, with generous funding from the Andrew W. Mellon Foundation, create a temporary exhibition at the museum reflecting students’ vision and ideas. I had very few parameters to work with - an empty gallery space, a timeline, and faith that the semester would yield something compelling. This simple plan quickly got complicated but in the end, resulted in a project I could never have imagined.


    Starting in the classroom

    Because my students were not all familiar with museum work and none of them were historians, we started the semester with a series of readings and discussions about exhibition design, visitor studies, and museums. And we purposefully explored the question of what elements support engaging, relevant and successful interactive spaces.

    Starting the design process in the classroom meant that we had the luxury to revisit our own experiences, explore case studies, blogs, research and advice from guest speakers - Gamynne Guillotte from the Baltimore Museum of Art, Andrea Jones of Peak Experience Lab and Mike Murawski from the Portland Art Museum. We actively defined our classroom as a lab space for thinking through possibilities, as well as different and new perspectives on process and approach. For my own part, as an instructor, maintaining this mindset cultivated transparency and heightened self-awareness about the work ahead.



    Determining the focus

    After considering examples from outside the museum, students dove into content in the museum’s galleries and archives. Their research and conversations inspired them to focus an abstract idea for this exhibition — What is the experience of work? What motivates us at work? What makes for satisfying work? How could we tie the museum’s larger focus on industry to visitors’ personal experience of industry (or work)? To do this, my students committed to centering visitor participation as the key element for the space — who better than visitors to share what contemporary work experience looks like?

    While I expected students to lean into the personal stories of work and visitor participation, they pushed things in a deeper direction than I’d initially been imagining. Letting go and giving students the space to develop what they wanted to see meant I had to work consciously and consistently to listen and work along-side them rather than pushing them in one direction or another. I found myself describing the process as “soupy” – now I see that it was also collaborative, substantive, iterative, authentic and in a true sense educational not just for my students, but for me. 



    Creating the Design

    Once big ideas were solid enough, we brought them out of the classroom and shared them with visitors in the museum. Ideas and questions that led to the most discussion with visitors eventually made it into the exhibition text – What is your favorite time of the workday? If you could describe your work in one word, what would it be? What motivates you at work – compensation, community, acknowledgment? We knew we needed an excellent design to inspire these kinds of conversations in an exhibition space not staffed by students. What kind of interactive would do the best job?





    Expanding our exhibition team even more, we invited Jeremy Hoffman and his Maryland Institute College of Art students to take my students’ content, ideas and goals for the space and develop exhibition designs. Nine different design lenses were shared – each one offering an interpretation of what might be possible for the space. Seeing their ideas reflected in so many different possibilities prompted my students to lean into and fine tune their curatorial vision.

    They were particularly drawn to two ideas offered by the design students: One that centered the personal via a portrait wall of contemporary and historic photographs of people working in Baltimore. And another that centered visitor interaction by inviting them to respond to a prompt on the wall, “leaving their mark” and creating something collectively over time. Students ended the semester with a “blueprint” for Jeremy (Ashton Design) and myself to use as we made the exhibition space a reality.



    Idea to reality

    In order to make the portrait wall a reality, Jeremy contacted local photographer Christopher Myers who generously let us into his archive of contemporary portraits of Baltimoreans at work. Working with museum staff, volunteers and my students, we also sourced historic images of workers in Baltimore from the museum’s collection, the Library of Congress, personal connections and the images of A. Aubrey Bodine. Over the course of several weeks, and through much discussion and feedback from students, museum staff, and volunteers, we narrowed down our portrait wall to 32 images.

    The rest of the exhibition space is populated with large questions inspired directly from the visitor testing students did and readings about contemporary work experience. The interactive asks visitors to take a sticker sheet from a category they feel best describes their work. Then they use three dots on that color-coded sticker sheet to plot their answers on the wall. If you imagine each sticker dot as a data point, together all these dots become a picture of contemporary work on the walls of the exhibition.





    Since we’ve opened this show, the space has become a favorite with visitors to the museum. They linger, engage in the activity, take in the portrait wall and even talk with each other about the data on the walls and their own experiences of work.




    So what?

    I truly believe that the success of this exhibition is in part due to its genesis. Born out of a semester of study, this exhibition involved successively wider circles of dynamic curatorial, audience, collegial and design engagement – first in the classroom at Johns Hopkins University, then with staff and visitors at the Baltimore Museum of Industry, then collaboration with students at Maryland Institute College of Art and finally, with visitors as their engagement literally changes what is on the walls in the exhibition.

    Though it’s harder work, getting more people involved, ruminating and revisiting ideas, testing and refining, letting go, and centering multiple perspectives can only make the final product stronger. For me, this process was a reminder that opening up, being flexible and listening can yield creative and collaborative end results that we can’t even imagine at the start. And, for me, this process also helps answer the question of why we work.






    It’s hard to describe an interactive exhibition in a written description. Check out this radio interview about the project or better yet come to the museum! Why We Work is up through April 2019.


    Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

    P.S. If you receive ExhibiTricks via email (or Facebook or LinkedIn) you will need to click HERE to go to the main ExhibiTricks page to make comments or view multimedia features (like videos!)